Special Offer #1 : COIL sets, Case of Perspectives, Magnets & Cards
December 1, 2012 by Giles Lane · 1 Comment
This year we’re offering some special offers to help raise funds for new projects and initiatives. The first offer is a limited number of packages (15 sets only) of some of our loveliest publications – including :
- Complete set of COIL journal of the moving image (1995-2000)
- Social Tapestries : A Case of Perspectives (2007)
- Alice Angus’ Endless Landscape Magnet Set (2006)
- Being in Common – A Catalogue of Ideas (2009)
We’re offering all this for £35 plus post & packing – a third of their combined original prices!
*** Hurry – we have only 9 of these available ***
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2012 Special Offer 1
COIL journal set + Social Tapestries: Case of Perspectives + Endless Landscape Magnets + Catalogue of Ideas cards |
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United Kingdom
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European Union
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USA & Canada
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Rest of the World
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£40
(inc p+p) |
£43
(inc p+p) |
£45
(inc p+p) |
£47
(inc p+p) |
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Pay with Paypal
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COIL journal – last few sets special offer
February 8, 2012 by Giles Lane · Comments Off on COIL journal – last few sets special offer
Over the past few weeks we’ve been re-arranging the studio to create new work spaces (such as the fabbing corner for the Public Goods Lab) and have been sifting through our archive to make space. We’ve been culling the number of archive copies we keep of various publications, especially of our older works which means we can release them for sale. As such, we are now making the last 15 complete sets of COIL journal of the moving image available for sale at the super low price of £25 plus shipping.
COIL journal was a 10 issue part-work commissioning new writing, critique as well as artists projects about experimental film, video and the emerging electronic/digital art field between 1995 and 2000. Over 130 filmmakers, artists, writers, critics and others were commissioned for the series – each one invited to make their own intervention in the journal about moving image culture (rather than respond to editorial themes). The journal deliberately eschewed featuring the then-current ‘YBA’ group of artists, focusing on a mix of younger emerging talent with older mid-career artists – many of whom we’re less visible at the time. COIL is thus a snapshot of a fecund period during which the shift from analogue to digital technologies gathered pace and the changes in creative practices associated with these became more pronounced.
