CREATOR Troubadour Study

August 6, 2008 by · Comments Off on CREATOR Troubadour Study 

Proboscis is collaborating with Sarah Thelwall to conduct a ‘troubadour’ study  to investigate artistic & creative research models and the ways in which these interface between creative SMEs and organisations such as HE institutions and the Research Councils.

In the work which culminated in Capitalising Creativity, Sarah developed a model for defining those activities which are at the core of an artist or creative organisations activities versus those which exploit the intellectual capital created and leverage it into income streams and commercial collaborations. Whilst this model of ‘first ‘and ‘second order’ activities was a good fit for some SMEs, Proboscis concluded that the research focused approach which it pursues is not well suited to the development of second order activities in this manner. Instead Proboscis, and organisations with a similar outlook such as Blast Theory, have pursued an approach that increases connections and activities with research focused institutions. 

It is these connections and methods that we would research in the Troubadour Study: 

  • what are the interactions between SMEs and research institutions? 
  • how does each side of a collaboration evaluate the partmnership and define ‘value’? 
  • how is this value communicated to funders and stakeholders? 
  • what are the limiting factors of such collaborations and why are there so few examples? 
  • what lessons can be learnt from the experiences of Cluster members Proboscis and Blast Theory and how might this contribute to influencing funding policies and frameworks? 

Team : Sarah Thelwall and Giles Lane

Funded through the CREATOR Research Cluster, part of the EPSRC’s Digital Economy programme.

CREATOR Pilot – Sensory Threads

August 5, 2008 by · Comments Off on CREATOR Pilot – Sensory Threads 

Proboscis is leading a pilot project, Sensory Threads, funded by the CREATOR Research Cluster. The project builds upon our previous collaborations with Birkbeck College’s Pervasive Computing Lab on the Feral Robots and Snout environmental sensing projects and takes wearable sensing into new areas with new collaborations with the Centre for Digital Music at Queen Mary, University of London, the Mixed Reality Lab at University of Nottingham and Southampton University’s School of Management.

Sensory Threads is a work-in-progress to develop an instrument enabling a group of people to create a soundscape reflecting their collaborative experiences in the environment. For this interactive sensory experience, we are designing sensors for detecting environmental phenomena at the periphery of human perception as well as the movement and proximity of the wearers themselves. Possible targets for the sensors may be electro-magnetic radiation, hi/lo sound frequencies, heart rate etc). The sensors’ datastreams will feed into generative audio software, creating a multi-layered and multi-dimensional soundscape feeding back the players’ journey through their environment. Variations in the soundscape reflect changes in the wearers interactions with each other and the environment around them. We aim to premiere the work in 2009.

Team: Alice Angus, Giles Lane, Karen Martin and Orlagh Woods (Proboscis); Demetrios Airantzis, Dr George Roussos and Jenson Taylor (Birkbeck); Joe Marshall (MRL); Dr Nick Bryan-Kinns and Robin Fencott (Queen Mary) and Dr Lorraine Warren (Southampton).

Funded through the CREATOR Research Cluster, part of the EPSRC’s Digital Economy programme.

Capitalising Creativity

November 15, 2007 by · Comments Off on Capitalising Creativity 

Cultural Snapshots No.14 November 2007

Capitalising Creativity : Developing earned income streams in Cultural Industries organisations by Sarah Thelwall

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Enterprising Culture

January 15, 2003 by · Comments Off on Enterprising Culture 

Cultural Snapshots No.3 January 2003

Enterprising Culture: 9 propositions for investing in creativity as social capital by Giles Lane

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