Topographies and Tales

August 3, 2009 by · 1 Comment 

A film by Alice Angus and Joyce Majiski using music, oral recordings, drawing, animation and storytelling to playfully unearth local and personal stories, memories and myths against a picture of how concepts of space and environment are shaped by ideas of belonging and home. A personal exploration of the intimate way people form relationships with their environments, Topographies and Tales takes a journey through the myths and perceptions the filmmakers encountered on their travels in the west of Scotland and the Yukon.

Topographies and Tales is part of Alice’s long term collaboration with Canadian artist Joyce Majiski. They began a collaboration in 2003 which took them to Ivvavik National Park in the Canadian Arctic, Glenmore Lodge in the Cairngorm Mountains, Scotland, the Klondike Institute for Art and Culture in Dawson City, Canada, Joyce’s Tuktu Studio in Whitehorse and the Proboscis Studio in London.

Topographies and Tales, 12.52min 2009 from Proboscis on Vimeo.

At The Waters Edge: Grand River Sketches

December 3, 2008 by · 1 Comment 

At The Waters Edge: Grand River Sketches

As part of Proboscis ongoing creative research partnership with Waterloo, Canada based RENDER, Alice was commissioned to develop a new work specifically for the atrium of the University of Waterloo School of Architecture in Cambridge. Combining new media and traditional methods, the project reflects the Proboscis strategy of engaging the social, cultural and natural histories of specific sites and territories. Alice brought interest in rivers as life-lines, connectors and definers of place that has grown out of her long term work on Topographies and Tales.

For this project she, and RENDER Director and artist Andrew Hunter, explored the Grand River from its mouth at Port Maitland on Lake Erie to Elora. By bicycle, car, foot and kayak, they wandered through and around the numerous cities, towns, villages, communities, farm fields and industrial sites the river penetrates, defines and skirts, making focussed stops along the way at Chiefswood National Historic Site, Paris, Galt and Kitchener. Alice’s inquiries have also taken her to libraries, museums and archives and into conversations with numerous individuals whose lives have been touched by the river. The resulting work is a personal and poetic reflection on a significant body of water whose role as a critical thread through the region is often forgotten or obscured by more recent grids of development, pathways of transportation and community boundaries. As with her other work At The Waters Edge: Grand River Sketches maps a dialogue between the artist and place emphasizing a process of inquiry.

At the heart of RENDER’s ongoing collaboration with Proboscis is creative research grounded in local history and the built environment. Past collaborative projects have included Anarchaeology and The Accidental Menagerie. At the Water’s Edge will be further developed into a publication and Proboscis will play a central role in RENDER’s upcoming GROUNDWORK community garden project at rare.

Proboscis and RENDER would like to thank Robert McNair (UW School of Architecture), Paula Whitlowe (Chiefswood National Historic Site) and Joyce Majiski and Tuktu Studio in Whitehorse (where Alice spent a week working on At The Water’s Edge) for their support of, and contributions to, this project.

Photographs by Robert McNair 2008

Perception Peterborough – Impressions

September 15, 2008 by · Comments Off on Perception Peterborough – Impressions 

As part of our research for the project, we conducted an anarchaeology of the city and its people and created a series of Impressions to inspire different perspectives on the key themes for workshop participants and project stakeholders.

The Impressions, initially created as a means of conveying a local sense of place to national and international participants, were inspired by the series of ‘Wanderings’ that Proboscis undertook with local people in Peterborough as a means of conveying a local sense of place.

We were inspired by the people of Peterborough and the seeds of the future they showed us that Peterborough already has; the diversity, talent, river, and green spaces, fens and waterways, the history and folklore and the great generous friendliness of people who never turned us away. Our Impressions therefore were about the seeds of Peterborough; visible and invisible, from past and future, for hopes
and concerns. They are about what could be seeded, nurtured and grown and what seeds exist here already to help everyone do that.

The wanderings involved conversations and encounters with over 20 local people of different ages and backgrounds. Proboscis journeyed through townships, villages and city by taxi, train, bus, bike, kayak and on foot to investigate and explore the city and its surrounding landscapes. We gained a richer understanding, through local and grassroots perspectives, of people’s perspectives of what it is like to live in Peterborough and their aspirations for the future. The resulting series of Impressions include short films, audio collage, eBooks, StoryCubes and drawings that can be shared physically and digitally and combined with existing policy material to add new perspective to the visioning process.

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