Defining Public Goods: Folklore
April 6, 2012 by mandytang · Comments Off on Defining Public Goods: Folklore
Visual mind map about folklore.
Traditional beliefs, customs, stories passed down through generations, superstition; you’ve come across some of these at one point in your life or it may still be a part of you to this very day. My next mind map for the Compendium is about Folklore.
Here I explore the different methods to which groups maintain, share and pass on traditions. It also contains quotes from the New York Folklore Society website, where people expressed what folklore meant to them and how it affected their daily lifestyle.
The cultural aspect is a public good, the knowledge or reasoning of why something is the way it is. A method people use to teach others about experiences expressed as stories, songs, performance, legends, myths and rhymes.
It is something communities strive to maintain as folklore symbolise their identity to themselves and others.
Defining Public Goods: Places to Meet and Hang Out
March 29, 2012 by mandytang · Comments Off on Defining Public Goods: Places to Meet and Hang Out
Continuing my exploration into public goods for the Compendium I thought about public spaces; parks, the town square, spaces that doesn’t require a fee to access. In these spaces, we often see people walking around, hanging about, waiting for someone, conversing with each other, and so on; and then it hit me – places to meet and hang out can be considered as a public good. These could be conventional spaces such as the park or places that encourage socialising like a cafe, but there are also informal spaces; ones that are not dictated.
An example of an informal space brings me back to my university days; every weekend when I had to go to the main high street to buy food for my deprived fridge, I would have to walk through the town square where flocks of teenagers would hang out, spreading across the flights of stairs and having to dodge the dangerous skater boys practicing stunts from one side to the other. It was the same every weekend without fail.
Visual mind map about places to meet up and hang out.
Defining Public Goods: Craftsmanship
March 16, 2012 by mandytang · Comments Off on Defining Public Goods: Craftsmanship
I’ve always admired the works of a craftsman, and I definitely feel that their skill as an artisan can somehow be reflected in the Compendium. But can craftsmanship really be considered as a public good? I turn to the Heritage Crafts Association, advocacy body for traditional heritage crafts for some answers. There I find an article by Professor Ewan Clayton, who explains all that I am unable to convey in words.
He talks about the importance of heritage crafts and that “craftsmanship have an interesting relationship to time” the embodied wisdom from the craftsman of a time is reflected in the artefact created, the interaction or activity that may involve the artefact, becomes a cultural resource.
He also mentions the focus in safeguarding traditional craftsmanship should not be made to preserve craft objects but to create conditions to encourage artisans to continue their practice and to transmit their skills and knowledge to others.
I also stumbled upon Richard Sennett’s book titled Craftsman, which mentions how medieval workshops provided a communal atmosphere and a social space, that bound people together forming a community of masters and apprentices.
Both Professor Ewan Clayton and Richard Sennett made insightful points about craftsmanship in the past and in our current lifestyles, it was also a sad reminder of craftsmanship that have become so rare and at risk of being lost forever that it made me want to learn more about them.
I wrap up this post with a quote from Professor Ewan Clayton’s article “So this intangible cultural inheritance that crafts carry is not only about our past – it’s about the vision of what it means to be human. It’s about now, and its about our future as well.”
Visual mind map about craftsmanship.
Defining Public Goods: Communication
March 7, 2012 by mandytang · Comments Off on Defining Public Goods: Communication
Branching out from the idea of social transactions; mentioned in a previous post about Stefan’s reunion over the holidays, led me to the topic of communication as a public good. How do we carry out these social transactions? Why is it so important to convey our thoughts and opinions to others and how will this result as a public good?
Communication fits the description of being both non-rival and non-excludable; words used from an economic point of view to define what a public good is. Thanks to conventional methods and modern technology, sharing ideas and thoughts have become widely available. But the point I am trying to make here is how we use these ‘props’ to communicate and share information.
The internet itself is not a public good, rather the communication and information functions it provides is. As a result the internet has given opportunities to create online communities that allow social connectivity of diverse groups, sharing information and knowledge that led to the creation of open source applications.
Taking these thoughts and ideas for the Compendium, I illustrated and brainstormed examples of our methods of communication through traditions; stories of experiences, songs, and visuals. Also thinking about the different outcomes created from the act of communicating such as social groups and communities linked through common interests, open source materials, data and information.
Visual mind map about communication as a public good.
Defining Public Goods: Food
February 29, 2012 by mandytang · 1 Comment
As part of my explorations into the notion of Public Goods for the Compendium, I’ve been creating some sketch maps that explore how to define public goods. What are they? Public goods come in many forms and their meaning and values vary among different groups of people.
Whilst preparing to have lunch with the team, Stefan began telling us a story about his family feast during the holiday season. The social transactions he had during the reunion, the reminiscing of traditional dishes. It sparked the thought that it wasn’t just the act of sharing food that was a public good, but everything that evolved around it. Where and how we get our food; the agricultural skills and knowledge needed to grow our food; the market place in which people come together not just to buy goods but for social interactions and where communities share stories; the history and culture, our traditions and sociology behind food, and ‘Foodways‘ – a term used to describe any piece of food culture which once existed in a time and place that tells a story about who we are.
Visual mind map about sharing food.
Visual Interpretations 1
January 21, 2011 by mandytang · Comments Off on Visual Interpretations 1
Hi all!
Whilst taking a break from Outside The Box I’ve been asked to create visual interpretations for a new project! I’ll be keeping a photo diary of my progress and will post up a photo each week for you all to see.
Alice suggested sticking up some of the visuals for the team to see and there will be plenty more to come!
projects
May 9, 2008 by Giles Lane · 1 Comment
Materializing Data, Embodying Climate Change
Proboscis is a partner in a 3 year AHRC-funded research project in collaboration with Prof. Tom Corby (Central St Martins, UAL); Prof. George Roussos (Birkbeck UoL) & Dr Louise Sime (NERC British Antarctic Survey). Devising and exploring the potential for Empathic Encounters with complex interconnected climate data sets to make abstract data and concepts more meaningful and tangible to the general public.
Begun 2019 | Ongoing
Single Digital Presence
Proboscis was commissioned by the British Library to devise and facilitate a series of workshops with library users across the UK as part of a user-centred design engagement process for the Single Digital Presence project, exploring the needs and desires of public library users for digital services.
Begun & Completed 2018
City Of Refuge
A collaboration with the London School of Economics (Media & Communications) on a series of workshops with refugees and their local supporters in three cities: London, Athens & Berlin. The project sought to gain insights into experiences of migration in these three places and to examine the role of digital communication in the making of cities of refuge.
Begun 2018 | Completed 2019
UnBias
A collaboration with the University of Oxford (Human Centred Computing), Horizon Digital Economy Research Institute (Nottingham) & University of Edinburgh (Informatics) to devise a Fairness Toolkit exploring bias, trust & fairness in algorithms deployed in social media and other key platforms.
Begun 2016 | Completed 2018
TK Reite Notebooks
A collaboration with Professor James Leach (UWA/CNRS) working with local people in Reite village, Rai Coast Papua New Guinea to co-design new shareable ways to record and share their local environmental and cultural knowledge.
Begun 2015 | Ongoing
Creative Securities
A collaboration with Professor Lizzie Coles-Kemp (Information Security Group at Royal Holloway University of London) to document the grassroots-based security methods and tools the group has been developing as part of several research projects.
Begun 2016 | Completed 2018
Librarypress
Proboscis ran a series of free public “Pop Up Publishing” workshops in libraries in Brent, Islington and Hounslow for the Librarypress project (funded by ACE), introducing members of the public to bookleteer and the concept of “hybrid publishing on demand”. We also ran two one-day Professional Development Masterclasses for professional library staff from ten London Library services (Brent, Camden, Hackney, Harrow, Hounslow, Islington, Lambeth, Lewisham, Merton & Southwark).
Begun 2014 | Completed 2015
TBI Rehabilitation Tool
Proboscis consulted on strategies for engagement and user experience design for the Movement Science Research Group at Oxford Brookes University incorporating patient perspective into the development of a “Rehabilitation Tool” for survivors of Traumatic Brain Injury (TBI) to share data on their ongoing experiences of rehabilitation. Part of a Europe-wide research project, CENTER_TBI.
Begun & Completed 2014
the Periodical
A monthly selection of one or more publications that have been created and shared on bookleteer were printed and posted to subscribers. It was an eclectic and often eccentric way of building a community of writers and readers around bookleteer and the Diffusion eBook format, inspired by 17th Century pamphleteering.
Begun 2012 | Completed 2015
Indigenous Public Authoring
A collaboration with Professor James Leach (UWA/CNRS) working with local people in Reite village, Rai Coast Papua New Guinea to co-design new shareable ways to record and share their local environmental and cultural knowledge.
Begun 2012 | Completed 2013
Hidden Families
A collaboration with ISG at Royal Holloway University of London, Freya Stang, NEPACS and Action for Prisoners Families to document and share the experiences of families visiting relatives in prison.
Begun 2012 | Completed 2013
Lifestreams
An Art + Industry commission as part of Anglia Ruskin University’s Visualise programme to work with Philips Research UK exploring new ways to engage people with biosensor data to promote wellbeing and healthy life choices.
Begun & Completed 2012
Pallion Ideas Exchange
A collaborative community co-design project in partnership with the Information Security Group at Royal Holloway University of London and Pallion Action Group in Sunderland to assist in creating a grassroots knowledge network.
Begun & Completed 2012
StoryWeir
A commission to create a site-specific artwork on Hive Beach, Dorset (on the “Jurassic Coast”) as part of the Cultural Olympiad connecting human time with geological time.
Begun 2011 | Completed 2012
Fabric Design
Experiments with drawing and digital printing of fabrics.
Begun 2010 | Ongoing
Public Goods Lab
Our in-house R&D creative technology initiative.
Begun 2011 | Completed 2012
Public Goods
Our programme of projects focusing on making and sharing tangible representations of the intangible things we value most about the places and communities we belong to, such as stories, skills, games, songs, techniques, memories, local lore and experiential knowledge of local environment and ecology.
Begun 2011 | Ongoing
Agencies of Engagement
A collaborative research project with CARET & Crucible at the University of Cambridge investigating groupwork and collaborative practices in the university community to support software development of a collaboration platform.
Begun & Completed 2011
City As Material
A series of one day events in London combining urban exploration and collaborative publishing with bookleteer. 5 collaborative eBooks published and 4 eBooks commissioned from invited guests : Tim Wright, Ben Eastop, Simon Pope & Alexandra Deschamps-Sonsino
View the eBooks here
Begun & Completed 2010
Safe Planet
A commission to co-design and develop the artistic identity for a major global awareness campaign about Persistent Organic Pollutants for the United Nations Environment Programme.
Begun & Completed 2010
Graffito
Proboscis is a creative partner in the Graffito project, supported by the Horizons Digital Economy Research Institute, developing a collaborative drawing platform for smartphones and tablets.
Begun & Completed 2010
As It Comes
A commission from the Lancaster Chamber of Commerce to create a series of artistic works by Alice Angus about the independent traders of Lancaster and the culture of local trade.
Begun & Completed 2010
Birmingham Total Place
A commission for the Birmingham Total Place project to document the experiences of families receiving “Early Intervention” from social services and to communicate this in a novel way to policymakers and senior management.
Begun & Completed 2010
bookleteer
Our new free web-based self-publishing service for creating & sharing Diffusion eBooks and StoryCubes.
Launched 2009 | Ongoing
With Our Ears to the Ground
A commission from Green Heart Partnership to engage with 4 different geographic communities in Hertfordshire and explore people’s ideas about community.
Begun 2009 | Completed 2010
DodoLab
Proboscis is continuing our collaboration with DodoLab (a project supported by University of Waterloo and the Musagetes Foundation) first initiated at the 5th World Environmental Education Congress in Montreal, Canada May 10th-14th 2009.
Begun 2009 | Completed 2012
Sensory Threads
Proboscis is developing a new mobile participatory sensing project with researchers from the Centre for Digital Music at Queen Mary University of London; Pervasive Computing Lab at Birkbeck College, Mixed Reality Lab at University of Nottingham; and the School of Management at University of Southampton.
Begun 2008 | Completed 2009
Sutton Grapevine
A commission by ADeC (Arts Development East Cambridgeshire) to create a space where local residents of Sutton-in-the-isle near Ely, new and longstanding, can have the room to explore place and identity through creative activity.
Begun 2008 | Completed 2009
Being In Common
Being in Common invites people to expand and alter their understanding of ‘common space’ and is inspired by the close connection between the histories of enclosure, surveying and gunpowder that coincide in Gunpowder Park. A commission by Haring Woods Associates / Landscape+Arts Network Services at Gunpowder Park as part of the Art of Common Space programme.
Begun 2008 | Completed 2009
Perception Peterborough
Proboscis was commissioned (with strategic consultants Haring Woods Associates) to develop the creative vision for the growth for the City of Peterborough, an ambitious £1bn development plan over the next 15-20 years. Through an anarchaeological investigation of the city, its environment and inhabitants, Proboscis devised and facilitated a series of workshops and distributable works that contributed to a major regeneration strategy.
Begun & Completed 2008
Lattice::Sydney
Proboscis was invited by the British Council to design a framework for a series of collaborations and residencies with organisations in East Asia, as part of their Creative Cities programme. Lattice is a framework for Proboscis to work collaboratively with different partners in the region to engage local communities in developing their own tools and techniques for public authoring, anarchaeology and cultures of listening. The initial project Lattice:Sydney is hosted by ICE (Information & Cultural Exchange) in Western Sydney during 2008.
Begun 2007 | Completed 2008
Experiencing Democracy
A week long Social Tapestries workshop with Year 4 students at the Jenny Hammond Primary School in Waltham Forest investigating children’s experiences of democracy and democratic behaviour. Developed and delivered with Loren Chasse.
Download the learning diary eBook (A4); final Group eBook (A4) and project report (A4)
Begun 2007 | Completed 2007
Snout
Snout was a Social Tapestries collaboration between inIVA, Proboscis and researchers from Birkbeck College exploring relationships between the body, community and the environment. It built on our previous collaboration on Feral Robots to investigate how data can be collected from environmental sensors as part of popular social and cultural activities. Two carnival costumes instrumented with environmental sensors were created and a mock carnival held in Shoreditch, east London in April 2007.
Begun 2006 | Completed 2007
Conversations and Connections
Proboscis collaborated on an 18 month Social Tapestries project with community development consultancy, Local Level and Havelock Independent Residents Organisation to explore how public authoring concepts and tools could be used by residents of a low income social housing neighbourhood (in Southall, West London) to map and share local knowledge leading to an improvement in services from the local authority and housing agency. The project was funded through an Innovations grant from the Democratic Engagement branch of the Electoral Policy Division of the Ministry of Justice.
Download the Evaluation Report
Begun 2005 | Completed 2007
Everyday Archaeology
A week long Social Tapestries workshop with Year 4 students at the Jenny Hammond Primary School in Waltham Forest exploring the local environment and the children’s relationship to it. Developed and delivered with Loren Chasse.
Download the Activity & Impact Report
Begun 2006 | Completed 2006
Robotic Feral Public Authoring
A Social Tapestries collaboration with Birkbeck College and Natalie Jeremijenko to adapt toy robots with GPS positioning, environmental sensors and wireless data upload to Urban Tapestries. The prototypes were built for and tested in London Fields with the help of local people, and presented publicly at the Science Museum London.
Download the Cultural Snapshot
Begun 2005 | Completed 2006
Topographies and Tales
Topographies & Tales is about the relationship between people, language, identity and place, revealing small local stories against the larger picture of how our concept of space and environment is shaped by “belonging” and “nationhood”, and how boundaries, barriers and borders come to be formed. Proboscis collaborated with and supported residencies in the UK for two artists to create new works with us – Joyce Majiski (Canada) & Loren Chasse (USA).
Begun 2004 | Completed 2007
Social Tapestries
Social Tapestries was a research programme developing experimental uses of public authoring to demonstrate the social and cultural benefits of local knowledge sharing enabled by new mobile technologies. These playful and challenging experiments built upon the Urban Tapestries framework and software platform developed by Proboscis and its partners. Through collaborations and partnerships with other civil society organisations we addressed education, social housing, community arts and local government. Projects include: Experiencing Democracy, Snout, Conversations and Connections, Everyday Archaeology, St Marks and Robotic Feral Public Authoring.
Begun 2004 | Completed 2009
Navigating History
A collaboration with curator Deborah Smith commissioning 11 artists’ projects in local libraries and local history collections in the South East region of England. This unique project built on the Topologies research and created dynamic new relationships between local people, the artworks and the collections.
Begun 2003 | Completed 2005
Urban Tapestries
Proboscis created and developed this groundbreaking project exploring mobile technologies, mapping and public authoring in partnership with the London School of Economics, Hewlett Packard Research Labs and Orange with Ordnance Survey and France Telecom R&D. The initial prototype (for PDA and WiFi) had a public trial in London in December 2003, the second prototype (for Symbian mobile phone and GPRS) was given a field trial in June 2004.
Download the Report: Public Authoring, Space & Mobility
Begun 2002 | Completed 2004
StoryCubes
StoryCubes are a tactile thinking and storytelling tool for exploring relationships and narratives. Each face of the cube can illustrate or describe an idea, a thing or an action, placed together it is possible to build up multiple narratives or explore the relationships between them in a novel three-dimensional way. StoryCubes are part of the Diffusion Shareables concept and can be created using the Diffusion Generator, as well as purchased as packs for creative projects, brainstorming and workshops. Proboscis also offers a personalised StoryCube printing service.
Begun 2002 | Ongoing
Landscape and Identity; Language and Territory
Liquid Geography questioned and explored contemporary perceptions of geography, territory and landscape, at a point in time when understandings of place and space are being redefined. The initial strand of this research was Landscape & Identity; Language & Territory, a collaboration between Proboscis, MEDIA@LSE and inIVA. Two Creative Labs will be held on March 22nd and June 14th 2002 exploring how new technologies can be used in innovative ways to transform our knowledge of other societies and cultures and act as enabling tools providing a catalyst for the development of new ideas. A series of DIFFUSION eBooks were commissioned as pilots for future experiments in knowledge creation and dissemination.
Begun 2001 | Completed 2002
Sonic Geographies
Sonic Geographies takes sound as the entry point for excavating and mapping urban experience and invisible infrastructures of the city. A series of experiments and sketches were developed that operated as maps and journeys but also as highly personal renderings of sonic experience – sounds of the personal world in conversation with sounds of the city.
Begun 2002 | Completed 2003
Private Reveries, Public Spaces
Proboscis commissioned 14 proposals from leading artists and designers addressing the theme of converging media technologies (internet, radio, interactive television, wireless telecommunications etc) and their social and cultural impact on the shifting relationship between private and public spaces. Three of the proposals were selected by a panel of judges to be developed into ‘conceptual prototypes’ for presentation to the public, peers, academia and industry as online demonstrations and at an event at the London School of Economics on June 25th 2002.
Begun 2001 | Completed 2002
Peer2Peer
Peer2Peer was an informal network of people interested in developing collaborations and practical solutions for potential partnerships across the arts, industry and academia. The Network consists of individual artists and designers and people from academia, industry, public funding agencies, private foundations and government. Proboscis initiated the network and hosted a number of meetings and events in partnership with the LSE, RCA, Iniva and others.
Begun 2001 | Completed 2003
SoMa – Social Matrices
In 1999/2000 Proboscis began to re-orient itself as a creative studio with a strong emphasis on research. Over the next 18 months we developed close partnerships with Professor Roger Silverstone at the London School of Economics and the School of Communications at the Royal College of Art. Our collaborative research programme, SoMa was launched in April 2001 as a ‘think tank for culture’ – a think, make and do environment for transdisciplinary collaborations.
Begun 2001 | Completed 2006
Mapping Perception
A collaboration between Giles Lane, curator and producer, Andrew Kötting, the acclaimed director of This Filthy Earth,Gallivant and Smart Alek, and Mark Lythgoe, neurophysiologist at the Institute of Child Health, London.
The project looked at the perceptions of impaired brain function to further understand the mind and body interaction and our relationship with its abnormality. It made visible connections between scientific and artistic explorations of the human condition, probing the thin membrane between the able and the disabled.
Begun 1998 | Completed 2002.
Diffusion
Diffusion is a downloadable hybrid digital/material book format, developed by Proboscis in 1999/2000. Since the publication of the first series of Diffusion eBooks, Performance Notations, in September 2000, Proboscis has continued to use the format for commissioning new creative publications, as well as adapting and developing the format for uses in other fields and projects. The design schematics were first published in 2002, and since 2003 Proboscis has been developing the Diffusion Generator – an online application allowing people without design skills to publish Diffusion eBooks of their own.
Begun 1999 | Ongoing
Topologies
Topologies was a research and feasibility study to investigate creating an initiative which could challenge existing definitions of public art. By commissioning and disseminating public artworks through the UK Public Library system, and using visual, aural and tactile media to investigate and represent abstract spaces and concepts, the works would form part of a wider attempt to broaden the audience for contemporary conceptual artwork. Topologies aimed to change both the context and the way in which people encounter art, aiming to introduce concepts of process-based art practices (as distinct from object-based works) to diverse and new audiences, and move the experience of encountering public (or conceptual) art away from a ‘viewer’ experience to that of a user.
The Research Report is available to download as a PDF file here.
Begun 1999 | Completed 2000
COIL journal of the moving image
Proboscis’ founding project, COIL was a 10 issue experimental publication that explored the practice of, and commissioned, artists film, moving image and new media works between 1995 and 2000. Over 140 artists, writers and others were published in the journal.
Begun 1994 | Completed 2000
