Wearable Superpowers at Science Museum Late
June 2, 2015 by Giles Lane · 2 Comments
Packed house for Wearable Superheroes at #smlates. Spot the odd ones out? pic.twitter.com/oeVkakNV3e
— David Robertson (@Davesci) April 29, 2015
A few weeks ago our Snout project costumes – Mr Punch and the Plague Doctor – had a rare outing to take part in a Late at the Science Museum in London. They were presented by students on UCL’s MA in Museum Studies as part of their group final show, We Need to Talk: Connecting Through Technology. We are told they were voted the audience favourite!
Thanks to Professor George Roussos at Birkbeck (for arranging and supporting) and to electronics engineer Demetrios Airantzis for building new power supplies for the wearable sensors, processor boards and LED displays – still working perfectly after 8 years.
Snout : carnival of the everyday (video)
December 1, 2009 by aliceangus · Comments Off on Snout : carnival of the everyday (video)
Snout: carnival of the everyday from Proboscis on Vimeo.
Carnival is a time when everyday life is suspended – a time when the fool becomes king for a day, when social hierarchies are inverted and the pavement becomes the stage, a time when everyone is equal. There is no audience at a carnival, only carnival-goers.
A single screen video work, by Proboscis, drawing together line animation, visualisation of sensor data and video footage of a live event featuring European carnival characters Mr Punch and The Plague Doctor as they cavort around London in costumes instrumented with environmental sensors.
Snout: A carnival of the everyday
November 7, 2009 by aliceangus · Comments Off on Snout: A carnival of the everyday
Orlagh and I are just finishing a short video, inspired by our Snout project, which will have its first outing at the upcoming Mobilefest Festival in Sao Paulo Brazil. A single screen video work – it draws together line animation, visualisation of sensor data and video footage of a live event featuring European carnival characters Mr Punch and The Plague Doctor as they cavort around London in costumes instrumented with environmental sensors. It reminded me that Snout was featured in 2008 in Zona 2; signs in the city, a supplement to the Italian architecture and design magazine Abitaire. So to accompany the video here is the short essay and my drawings from Zona about the project:
A theatre of the everyday
Carnival is a time when everyday life is suspended – a time when the fool becomes king for a day, when social hierarchies are inverted and the pavement becomes the stage, a time when everyone is equal. There is no audience at a carnival, only carnival-goers.
On 10 April 2007 the Snout ‘carnival’ performance and public forum (featuring Mr Punch and The Plague Doctor instrumented with environmental sensors) drew together artists, producers, performers and computer programmers to explore how wearable technologies with environmental sensors can combine with Internet sharing technologies to map the invisible gases in our everyday environment. The project by Proboscis, inIVA and researchers from Birkbeck College also explored how communities can use this evidence to initiate local action.
For Proboscis public space is a focus for convening conversation and dialogue. It gives context to shared issues such as pollution, the environment, and our personal and communal relationships to them. In Snout, we sought to meld the problem of measuring pollution in public space with ways to begin a conversation between local people that can inspire a path to change; not just frighten people with statistics.
Our world is increasingly affected by human behaviour and industry – there is awareness of pollution in public spaces but we rarely have access to actual data. What is the local air quality of our street like? What ground toxins are present? The participatory sensing concept seeks to put the science and technologies of environmental sensing into the hands of local people to gather and visualise evidence about their environment.
We chose Mr Punch as an allegory of Western consumer culture. Punch is the fool, the trickster, an anti-authoritarian figure – challenging social structures, yet never taking responsibility for his actions. In the traditional Punch story – The Tragical Comedy, Comical Tragedy of Mr Punch, he defeats authority, but at the same time kills all the people close and dear to him. Ultimately he is left alone. We also chose the Plague Doctor because of his ambiguous relationship to technology. The doctor’s outfit is a kind of seventeenth century HazMat suit, but is he a real doctor or is he a quack hiding behind the cultural and hygienic prophylactic of the costume? With both the characters we are questioning the social and cultural role not only of technologies but also of those who use them, and why.
The data collected by the sensors in the Snout costumes are the ingredients for a feast of conversation; a recipe that includes various ingredients (sensor data, statistics culled from official websites and local knowledge shared by the community) to cook up local feasts of conversation. In addition to the data picked up by the sensors on the Snout costumes (carbon monoxide, carbon dioxide, noise, solvent vapours etc), other sources were aggregated such as local health statistics, local education and the ‘deprivation’ index.
Consumerism drives a headlong scramble of production, underpinned our concept of individual freedom and choice. Our desire to have technologies which ‘free’ us, enable greater communication and ability to travel are also ones which contribute to accelerating ecological damage. The technologies we manipulate to help us make sense of these issues are also part of the problem. The question then becomes, how do we take responsibility for the impact of our desires upon the environments we live in, and their effects on the environments of others? How can we shift our perceptions of what can happen on the street, in public space, to create the context to begin conversations?
Digital Cities: London’s Future
November 17, 2008 by Giles Lane · Comments Off on Digital Cities: London’s Future
Proboscis is exhibiting works from Snout, Feral Robots and Social Tapestries and our film, Play to Invent in a group show curated by architect and masterplanner, Sir Terry Farrell,
“Digital Cities looks at how digital technology helps us understand and improve the planning and experience of our city. It will look at the impact on movement in cities: how communication and information technologies enhance a persons experience of place; how people interpret cities with the use of technology; and how mapping influences the design and planning of cities. It will also discuss some of ‘the big brother’ issues such as privacy and security. “
Digital Cities: London’s Future is on from November 21st 2008 to January 24th 2009 at The Building Centre, Store Street, London WC1E 7BT.
Download the Exhibition Leaflet (PDF 6.9Mb)
Snout
November 3, 2008 by Giles Lane · 1 Comment
Snout investigates how data can be collected from environmental sensors as part of popular social and cultural activities. Proboscis collaborated with inIVA and researchers from Birkbeck College’s Pervasive Computing Lab to design and build two carnival costumes (Mr Punch and the Plague Doctor) that were instrumented with environmental sensors and LED displays. A website was created (using free social software tools) to show the sensor data mapped against other local knowledge (drawn in via RSS feeds) and contextual data (about local health, poverty, education etc) scraped from the Office of National Statistics.
In April 2007 we staged a mock carnival in Shoreditch to collect pollution data and stimulate conversations. The procession started out from the new inIVA building on Rivington Street and weaved a route up Charlotte Road to Hoxton Square, down Hoxton Street and round Shoreditch High Street to finish up with an afternoon public forum at Cargo.
Team: Demetrios Airantzis, Alice Angus, Giles Lane, Karen Martin, George Roussos, Jenson Taylor & Orlagh Woods.
Performers: Bill Aitchison & Jordan Mackenzie
Partners: Iniva; Birkbeck College (University of London)
Commissioned by Iniva (Institute of International Visual Arts)
Funded by Arts Council England and Esmee Fairbairn Charitable Foundation.
