Cultivating Research by Sarah Thelwall
June 5, 2009 by Giles Lane · 1 Comment
Cultural Snapshots No. 16 June 2009
Cultivating Research : articulating value in arts and academic collaborations by Sarah Thelwall
Sensory Threads demo at Dana Centre 23/06/2009
June 3, 2009 by Giles Lane · 1 Comment
Sensory Threads will get its first public demo at the London Science Museum’s Dana Centre on June 23rd 2009 as part of the Surface Tension event. We will be demonstrating the prototype Wearable Sensors and the Rumbler and inviting participants to test out the system during the day. The event is free and no booking is required.
We will also be showing the prototype at the National Physical Laboratory on July 2nd 2009 as part of WISIG2009, the Wireless Sensing Showcase of the Sensors and Instrumentation KTN.
Below are some photos from a recent test at our studio and in the surrounding streets of Clerkenwell.
Trace Elements Proposal
May 29, 2009 by Giles Lane · Comments Off on Trace Elements Proposal
We’ve recently submitted a proposal for Arts Council England’s Artists Taking the Lead project for the 2012 Cultural Olympiad. It builds on an emerging collaboration we have with mongrelStreet (mervin Jarman and Richard Pierre-Davis) as well as ideas around migration and narrative we have been working on for a few years.
Trace Elements: Why are we who we are?
Trace Elements is an interactive and distributed artwork revealing the diversity of the journeys and migrations ordinary people make to live, work and play in London. Through words, images and symbols that convey these stories it will flow like a digital river through London’s public media spaces: generating a storyscape of endlessly changing combinations. It will allow both participants and audiences to form associations and connections between our lived experiences, hopes and aspirations as Londonders: a visual and poetic stream which we can fall in and out of.
Trace Elements combines the creative inspiration and experience of two artist-led groups, Proboscis (Alice Angus, Giles Lane and Orlagh Woods) and mongrelStreet (mervin Jarman and Richard Pierre-Davis). It will be a multi-faceted project that grows leading up to June 2012 and beyond. It will involve creative research with communities across London to elicit their stories of how and why they have come to live here: what they have given up; what they have held onto; what they dream of; what their fears are. This will be used to inspire a narrative ‘periodic table’ of story elements: images and symbols that capture the essence of people’s stories and experiences. The story elements will become a simple interface for engaging people to share their stories in a visual and symbolic way and will also be used to generate automatic poetry for dissemination via social media tools such as twitter and text messaging.
Using mongrelStreet’s iStreet Lab as mobile ‘stations’ for engaging with communities in their own areas, we will ‘recycle streetcorners’ into storytelling and sharing spaces, weaving a tapestry of social and cultural interactions across the city. iStreet Labs will also be sited in places such as airports, rail stations, parks and other public and private spaces to engage visitors, commuters and locals in sharing their stories. Audiences will be able to dive into the Trace Elements storyscape via media screens in tube stations, bus stops, rail stations, as well as via online and mobile media.
With uncertainty and climate change at the forefront of local and universal concerns we want to work with the people of London to create something that crosses barrriers by bringing to light our collective struggles and our shared hopes. Trace Elements will emerge as a magnificent reflection of the creativity, hope and determination of human spirit that has brought so many people here.
Sandwell Sense of Place
May 29, 2009 by Giles Lane · Comments Off on Sandwell Sense of Place
Proboscis has recently been invited to join a tender bid to Urban Living and Birmingham City Council for the Sandwell Sense of Place project. The other partners are Rob Annable and Mike Menzies of axis design architects (who are leading the bid); Michael Kohn and Chris of YouCanPlan and Nick Booth of Podnosh. The sense of place project aims to devise a toolkit and archive using a variety of media and techniques for local residents to articulate their sense of place in two areas of Sandwell near Birmingham in the ‘Western Growth Corridor‘. This sense of place and its archive will form a key input into the regeneration masterplanning process.
As part of our interview we created a special Diffusion eBook outlining the team’s approach and illustrating some of our previous work.
Jump In workshop
May 1, 2009 by Giles Lane · Comments Off on Jump In workshop
As part of our contribution to the Creator Research Cluster, Giles Lane, Sarah Thelwall (mycake) and Tim Jones (Solar Associates) organised a 1 day workshop at The Rookery in Clerkenwell to explore how small arts organisations could explore working with research departments in universities, and develop the case for becoming Independent Research Organisations. The workshop brought together around 20 participants from a wide group of artists and creative professionals, many of whom are already in collaborations with universities, to share experiences and insights into collaborative practices.
The workshop was partly inspired by Sarah’s Troubadour study for the Creator Cluster (due to be published in June 2009 by Proboscis), the executive summary of which was circulated to all the participants. It drew on the experiences of Proboscis (already an IRO since 2005), Blast Theory and Scan who have all maintained long term partnerships and collaborations with universities stretching back a decade or more. The AHRC was also represented at the workshop and was helpful in identifying the probable routes needed to be taken to achieve IRO status in the current climate.
The participants agreed to set up an informal cluster of interested parties who wanted to take the process further.
Participants: Giles Lane (Proboscis); Sarah Thelwall (mycake); Tim Jones (Solar Associates); Ruth Catlow (Furtherfield); Helen Sloan (Scan); Julianne Pierce (Blast Theory); Rob La Frenais (Arts Catalyst); Tassos Stevens (Coney); Ruth & Bruno (Igloo); Glenn Davidson (Artstation); Rachel Jacob (Active Ingredient); Evelyn Wilson (LCACE); Gini Simpson (Queen Mary); Annamaria Wills (cida); Carien Meier (Drake); Ben Cook (LUX); Tim Harrison (ACE London); Isabel Lilly (Stream); Joanna Pollock (AHRC); Nick? (A Foundation).
Absent Friends: Bronac Ferran (boundaryobject); Julie Taylor (Goldsmiths); Lorraine Warren (Southampton); Ted Fuller (Lincoln)
Funded by the CREATOR Cluster, part of the EPSRC’s Digital Economy programme.
Being In Common Exploration Packs
December 8, 2008 by Orlagh · 1 Comment
As part of our commission (Being in Common) for the Art of Common Space at Gunpowder Park, 21 Exploration Packs were sent to participants around the world to explore what ‘common space’ means to different people in both urban and rural areas and of different ages. Participants were carefully selected to get a wide variety of responses from various walks in life including a market stall owner, computer programmer, wilderness guide, NASA space worker, parkour artist, mother, social scientist, tourguide and sea-kayaker, and from diverse places such as London, Sweden, Vietnam, Spain, Australia, Canada, India and Greece.
Each pack contains objects and questions exploring what the phrase ‘common space’ means. Participants have been asked to respond in whatever way they wish – write, draw, use stickers, take photographs, use sound recorders or video. The packs include a guide, eNotebook, Matchbox, StoryCube, Photos, Feltboard, Collage Pack, CD, a World Map and International Reply Coupons. Each was designed to offer an understanding of what ‘common space’ means within the participant’s particular context.
Some of the questions include:
- Describing a common space :
– what does it look, feel, taste like?
– What do you like about it?
– What makes it a common space?
– Who else shares the space?
– How do you navigate around it?
– What are the edges / limitations / restrictions you encounter? - What are the features of a common space? Who belongs to / owns the space?
The responses will feed into Proboscis’ artwork to be made for Gunpowder Park early in 2009.
Rita King has blogged about receiving her pack here.
Constructing Conversations
October 20, 2008 by Giles Lane · Comments Off on Constructing Conversations
Constructing Conversations from Proboscis on Vimeo.
A film for the Perception Peterborough project, documenting the creation of a 3 dimensional ‘map’ of creative visions overlaid over the city. The film was shot during workshops facilitated by Proboscis in Peterborough Museum in September 2008.
Perception Peterborough – Workshops
September 25, 2008 by Giles Lane · Comments Off on Perception Peterborough – Workshops
As part of Perception Peterborough three creative transdisciplinary workshops were led by Proboscis (alongside consultants Haring Woods Associates) at Peterborough Museum over three days in September 2008. The workshops were the culmination of Perception Peterborough and were designed to reflect on Peterboroughs’s vision for the future around the three themes;
- Green Infrastructure and Environmental Technologies
- Social Cohesion within a Climate of Migration
- Growth: Development of the Built Environment.
Over three days each workshop explored the notion of ‘Environmental Capital’ and both discussed and built ideas for the features of an environmental capital. Creativity underpinned our process for the workshops where a playful but intensive period of activity involved social mapping, StoryCubes and 3D mapbuilding.
The workshops involved:
Social Mapping to explore participants’ connections to each other and Peterborough using brown paper and crayons. StoryCubes to explore relationships of ideas to each other and focus the conversation, with
a physical landscape of cubes building up over the days. StoryCubes are a tactile thinking tool for exploring relationships and narratives, each face of the cube is illustrated or annotated to graphically convey an idea, a thing or an action. A 3D Map of a Future Peterborough to make manifest participants ideas for the features of an environmental capital and go beyond the big ideas such as ‘a carbon zero economy’ to look at how that might be achieved on the ground. Participants added both new ideas, suggestions and existing or planned buildings, structures or initiatives.
View a film of the collaborative map created over the first three days.
Perception Peterborough – Impressions
September 15, 2008 by Giles Lane · Comments Off on Perception Peterborough – Impressions
As part of our research for the project, we conducted an anarchaeology of the city and its people and created a series of Impressions to inspire different perspectives on the key themes for workshop participants and project stakeholders.
The Impressions, initially created as a means of conveying a local sense of place to national and international participants, were inspired by the series of ‘Wanderings’ that Proboscis undertook with local people in Peterborough as a means of conveying a local sense of place.
We were inspired by the people of Peterborough and the seeds of the future they showed us that Peterborough already has; the diversity, talent, river, and green spaces, fens and waterways, the history and folklore and the great generous friendliness of people who never turned us away. Our Impressions therefore were about the seeds of Peterborough; visible and invisible, from past and future, for hopes
and concerns. They are about what could be seeded, nurtured and grown and what seeds exist here already to help everyone do that.
The wanderings involved conversations and encounters with over 20 local people of different ages and backgrounds. Proboscis journeyed through townships, villages and city by taxi, train, bus, bike, kayak and on foot to investigate and explore the city and its surrounding landscapes. We gained a richer understanding, through local and grassroots perspectives, of people’s perspectives of what it is like to live in Peterborough and their aspirations for the future. The resulting series of Impressions include short films, audio collage, eBooks, StoryCubes and drawings that can be shared physically and digitally and combined with existing policy material to add new perspective to the visioning process.
- Lines of Mobility Diffusion eBook
- Blocks of Change Diffusion eBook
- Bus Adventures Diffusion eBook
- Underused Assets StoryCubes
- Monsters and Mermaids (8 panel french fold booklet PDF)
- Flows Film
- Perspectives Film
- Voices audio piece
- Briefing Pack Book (PDF)
- Briefing Pack StoryCubes (illustrated by Matt Huynh).
Perception Peterborough Briefing Book
September 1, 2008 by Giles Lane · Comments Off on Perception Peterborough Briefing Book
Produced by Haring Woods Associates
Editor: Celia Makin-Bell
Concept and design: Proboscis
Illustration: Matt Huynh
Graphic Design: Carmen Vela Maldonado
Perspectives
September 1, 2008 by Giles Lane · Comments Off on Perspectives
Perspectives from Proboscis on Vimeo.
Perspectives of Peterborough (UK) from bike, kayak and bus. One of a series of 8 “Impressions” of the city of Peterborough in England. Part of the Perception Peterborough project which involves artists and consultants in working with local, national and international people to develop a compelling and exciting vision for the future of the city.
CREATOR Troubadour Study
August 6, 2008 by Giles Lane · Comments Off on CREATOR Troubadour Study
Proboscis is collaborating with Sarah Thelwall to conduct a ‘troubadour’ study to investigate artistic & creative research models and the ways in which these interface between creative SMEs and organisations such as HE institutions and the Research Councils.
In the work which culminated in Capitalising Creativity, Sarah developed a model for defining those activities which are at the core of an artist or creative organisations activities versus those which exploit the intellectual capital created and leverage it into income streams and commercial collaborations. Whilst this model of ‘first ‘and ‘second order’ activities was a good fit for some SMEs, Proboscis concluded that the research focused approach which it pursues is not well suited to the development of second order activities in this manner. Instead Proboscis, and organisations with a similar outlook such as Blast Theory, have pursued an approach that increases connections and activities with research focused institutions.
It is these connections and methods that we would research in the Troubadour Study:
- what are the interactions between SMEs and research institutions?
- how does each side of a collaboration evaluate the partmnership and define ‘value’?
- how is this value communicated to funders and stakeholders?
- what are the limiting factors of such collaborations and why are there so few examples?
- what lessons can be learnt from the experiences of Cluster members Proboscis and Blast Theory and how might this contribute to influencing funding policies and frameworks?
Team : Sarah Thelwall and Giles Lane
Funded through the CREATOR Research Cluster, part of the EPSRC’s Digital Economy programme.
CREATOR Pilot – Sensory Threads
August 5, 2008 by Giles Lane · Comments Off on CREATOR Pilot – Sensory Threads
Proboscis is leading a pilot project, Sensory Threads, funded by the CREATOR Research Cluster. The project builds upon our previous collaborations with Birkbeck College’s Pervasive Computing Lab on the Feral Robots and Snout environmental sensing projects and takes wearable sensing into new areas with new collaborations with the Centre for Digital Music at Queen Mary, University of London, the Mixed Reality Lab at University of Nottingham and Southampton University’s School of Management.
Sensory Threads is a work-in-progress to develop an instrument enabling a group of people to create a soundscape reflecting their collaborative experiences in the environment. For this interactive sensory experience, we are designing sensors for detecting environmental phenomena at the periphery of human perception as well as the movement and proximity of the wearers themselves. Possible targets for the sensors may be electro-magnetic radiation, hi/lo sound frequencies, heart rate etc). The sensors’ datastreams will feed into generative audio software, creating a multi-layered and multi-dimensional soundscape feeding back the players’ journey through their environment. Variations in the soundscape reflect changes in the wearers interactions with each other and the environment around them. We aim to premiere the work in 2009.
Team: Alice Angus, Giles Lane, Karen Martin and Orlagh Woods (Proboscis); Demetrios Airantzis, Dr George Roussos and Jenson Taylor (Birkbeck); Joe Marshall (MRL); Dr Nick Bryan-Kinns and Robin Fencott (Queen Mary) and Dr Lorraine Warren (Southampton).
Funded through the CREATOR Research Cluster, part of the EPSRC’s Digital Economy programme.
CREATOR Research Cluster
April 27, 2008 by Giles Lane · Comments Off on CREATOR Research Cluster
Proboscis is a founder member of the CREATOR Research Cluster, funded by EPSRC as part of the “Connecting Communities for the Digital Economy” initiative. The cluster brings together practitioners from the creative industries with researchers from varied traditions that span ICT, the arts and humanities, the social sciences, and business studies.
The cluster seeks to establish a close connection between ICT researchers, those with an interest in business and innovation, and practising members of the creative industries and seeks to answer 4 main questions:
- What key challenges face the creative industries due to the emergence of a new generation of social, pervasive and affective ICT?
- And conversely, what long term challenges must be tackled by ICT research in order to support future creative industries?
- How can we better engage small creative companies in research and knowledge transfer?
- And especially, how can we establish new interdisciplinary approaches across ICT, the arts and humanities and the social sciences that support “practice-led” approaches to research?
Members include:
Blast Theory, University of Reading, Storey Gallery, AmaK, University of Nottingham, University of Cambridge, Queen Mary, University of London, University of Technology, Sydney, University of Sheffield, University of Lincoln, Goldsmiths College, University of London, Exeter University, Decoda, The Creative Media Centre, Lancaster University, Brunel University, University Of Chichester, Birkbeck College, University of London, Proboscis, Newcastle University, University of Glasgow, iShed, Watershed, SCAN/Bournemouth University, University of Bath, University of Worcester, University of Southampton, University of Sussex.
A series of Pilot projects and ‘Troubadour’ studies will be conducted over the year 2008-09.
Lattice::Sydney
April 5, 2008 by Giles Lane · Comments Off on Lattice::Sydney
Lattice::Sydney from Proboscis on Vimeo.
Play to Invent
April 5, 2008 by Giles Lane · Comments Off on Play to Invent
Play to Invent from Proboscis on Vimeo.
A playful exploration of Proboscis and some of its projects, tools and techniques.
Created by Alice Angus, Giles Lane, Orlagh Woods and Karen Martin (April 2008).
Music by Peoplelikeus.
Human Echoes – A Dialogue on Cultures of Listening
July 2, 2006 by Giles Lane · Comments Off on Human Echoes – A Dialogue on Cultures of Listening
In July 2006 Proboscis organised an open dialogue on Cultures of Listening for Interdependence Day at the Royal Geographic Society. The dialogue took the form of a series of conversations between an invited group of artists, social scientists, teachers, researchers, curators and policymakers at a picnic in Kensington Gardens, just across from the RGS.
Our aim was to use the informal setting of a picnic and our role as hosts to bring together a diverse group and stimulate conversations, rather than hold a more formal debate or discussion. This placed the emphasis of the dialogue on being a culture of listening rather being about one. After an hour and a half of introducing people to each other and connecting conversations, the group came together to reflect on what we had heard and said, followed by more conversation and connections over lunch.
Proboscis commissioned artist Camilla Brueton to create an artwork inspired by the event
Camilla’s Brueton’s commission for the Human Echoes event back in July is now complete and the digital element is available as two podcast files. The work is called The Human Echoes Archive and is a box of fictional and factual materials (drawings, maps, postcards, index cards, audio cd) that mimics the form, materials, structure and tools of archiving to reflect and extend the interconnected conversations of the event.
The Archive adopts a numerical ordering system to collect material relating to the people who were present, issues emerging and questions raised at the Dialogue. Like the informal pockets of conversation which took place at this picnic one can navigate freely between the material in the Archive rummaging, cross referencing and re-ordering or by using the the subject index and footnote references.
The podcast files are an edited version of the article contained in the archive with images of other material from it and, a layered audio piece of fragments of the conversations.
Urban Tapestries – Contexts
March 15, 2004 by Giles Lane · Comments Off on Urban Tapestries – Contexts
Urban Tapestries Contexts from Proboscis on Vimeo.
A film exploring the wider contexts informing the Urban Tapestries project, setting out its key aim of exploring the social and cultural implications of public authoring and mobile technologies. Devised by Alice Angus & Giles Lane. Made by Alice Angus (2003/04).
