StoryCubes Workshop – Cardiff University
July 16, 2008 by Orlagh
Proboscis were commissioned by Cardiff University’s Human Resources Division to run a StoryCubes Workshop as part of their internal Leadership Programme.
Workshop Facilitation: Karen Martin & Orlagh Woods
StoryCubes Installation – bTWEEN08
June 20, 2008 by Giles Lane
Following the Manchester Beacon workshop, Proboscis facilitated a StoryCubes ‘landscape of ideas’ to help Just b. Productions and the Manchester Beacon Project define the brief for a new commission to create an online public engagement service that maps connections between people, places, knowledge and creative activity in Manchester. Starting with a series of questions derived from the initial day-long workshop, delegates of b.TWEEN were asked to add their comments, ideas and suggestions to scope out wider issues, aspirations and challenges for the design brief of a new online ‘public engagement tool’.
The StoryCubes Installation was subsequently voted Best Interactive Gallery Installation by the delegates of b.TWEEN.
Team: Giles Lane and Karen Martin.
StoryCubes Workshop – Manchester Beacon
June 20, 2008 by Giles Lane
Proboscis were commissioned by the Manchester Beacon Project and Just-b Productions to design and facilitate a StoryCubes Workshop as part of developing a brief for commissioning an online ‘public engagement tool’.
Read more about the workshop and view it outcomes here.
Participants:
Katz Kiely, Giles Lane, Karen Martin, Erinma Ochu, Rob Annable, Geoff Laycock, Constance Fleuriot, Lewis Sykes, Maria Stukoff, John Wetheral, Dom Raban, David Fernandez-Dias, Tim Riches, Martyn Amos, Marjahan Begum, Toby Howard, Andrew Wilson, Onno Baudouin and Dwayne Brandy.
Team: Giles Lane and Karen Martin
Lattice::Sydney – Drawing Conclusions
May 15, 2008 by Giles Lane
Lattice: Drawing Conclusions from Proboscis on Vimeo.
A short film of Matt Huynh and Tina Tran of Popperbox drawing conclusions from the Lattice forum. Music by Reg Kehoe and his Marimba Queens. (May 2008).
CREATOR Research Cluster
April 27, 2008 by Giles Lane
Proboscis is a founder member of the CREATOR Research Cluster, funded by EPSRC as part of the “Connecting Communities for the Digital Economy” initiative. The cluster brings together practitioners from the creative industries with researchers from varied traditions that span ICT, the arts and humanities, the social sciences, and business studies.
The cluster seeks to establish a close connection between ICT researchers, those with an interest in business and innovation, and practising members of the creative industries and seeks to answer 4 main questions:
- What key challenges face the creative industries due to the emergence of a new generation of social, pervasive and affective ICT?
- And conversely, what long term challenges must be tackled by ICT research in order to support future creative industries?
- How can we better engage small creative companies in research and knowledge transfer?
- And especially, how can we establish new interdisciplinary approaches across ICT, the arts and humanities and the social sciences that support “practice-led” approaches to research?
Members include:
Blast Theory, University of Reading, Storey Gallery, AmaK, University of Nottingham, University of Cambridge, Queen Mary, University of London, University of Technology, Sydney, University of Sheffield, University of Lincoln, Goldsmiths College, University of London, Exeter University, Decoda, The Creative Media Centre, Lancaster University, Brunel University, University Of Chichester, Birkbeck College, University of London, Proboscis, Newcastle University, University of Glasgow, iShed, Watershed, SCAN/Bournemouth University, University of Bath, University of Worcester, University of Southampton, University of Sussex.
A series of Pilot projects and ‘Troubadour’ studies will be conducted over the year 2008-09.
StoryCubes Workshop – iHuman Youth Society
April 6, 2008 by Giles Lane
Lattice::Sydney
April 5, 2008 by Giles Lane
Lattice::Sydney from Proboscis on Vimeo.
Diffusion Shareables
April 5, 2008 by Giles Lane
Diffusion Shareables from Proboscis on Vimeo.
Play to Invent
April 5, 2008 by Giles Lane
Play to Invent from Proboscis on Vimeo.
A playful exploration of Proboscis and some of its projects, tools and techniques.
Created by Alice Angus, Giles Lane, Orlagh Woods and Karen Martin (April 2008).
Music by Peoplelikeus.
Experiencing Democracy Report
April 5, 2008 by Giles Lane
Experiencing Democracy Report (April 2008)
Anarchaeology at Render
April 1, 2008 by Giles Lane
Collecting, Curating and Communicating Culture
Proboscis co-designed (with Andrew Hunter of Render) a studio/seminar course introducing 3rd & 4th year undergraduate and post-graduate students to contemporary approaches to collecting and curating through learning by doing. Students were introduced to techniques (anarchaeology, public authoring) and tools (Diffusion eBooks, StoryCubes, podcasting) used and developed by Proboscis. The goal of the course was to work both individually and collectively in excavating narratives of people, places, events and artefacts and creating new artefacts (using new and old media tools).
Render continued its collaboration with Proboscis on the Anarchaeology programme in May-July 2008, running a lab out of the Artery Gallery in downtown Kitchener. As part of this Render hosted a workshop with Collision, a group of students from Preston Highschool who have formed an independent collective to initiate and create performative art projects. Collision is mentored by artist and teacher Kyle Brown. For the May 17 workshop, Collision became selected buildings in downtown Kitchener and then ventured out into the street to engage the public.
Collision Workshop Photos on Flickr
Team: Alice Angus, Giles Lane & Orlagh Woods
Partner: Render at University of Waterloo (Andrew Hunter, Barbara Hobot & Amos Latteier)
Funded by the J.W. Graham Trust
Art & Cartography
February 5, 2008 by Giles Lane
Proboscis was invited to take part in the Art & Cartography symposium exhibition, zoom and scale, at the Academy of Fine Arts and Kunsthalle Wien project space, Vienna in January 2008. We exhibited a set of 27 StoryCubes exploring the Social Tapestries research programme, a set of 8 StoryCubes reflecting our creative practices and process and two films, Social Tapestries and Play to Invent.
Landscapes in Dialogue
November 17, 2007 by Giles Lane
Cultural Snapshots No. 15 November 2007
Landscapes in Dialogue : Thoughts inspired by the Artists in the Park residency, Ivvavik National Park, Yukon by Alice Angus
Capitalising Creativity
November 15, 2007 by Giles Lane
Cultural Snapshots No.14 November 2007
Capitalising Creativity : Developing earned income streams in Cultural Industries organisations by Sarah Thelwall
Conversations & Connections Report
May 28, 2007 by Giles Lane
Social Tapestries: Conversations and Connections (May 2007)
Download PDF 3.3Mb
Order a Hard Copy
Shared Encounters Workshop
April 30, 2007 by karenmartin
‘Shared Encounters’ was a workshop which took place at CHI 07 in San Jose, California. CHI is the annual conference on Human Factors in Computing Systems and this one-day workshop brought together researchers from academia and industry to explore how mobile technologies might support shared encounters in urban environments. Karen Martin and Giles Lane submitted a position paper describing Proboscis’ Conversations and Connections project and the challenges and opportunities faced by projects which make use of, and develop, new technologies but have primarily social goals.
You can read our paper here: Making Glue (PDF 150Kb)
This is the workshop abstract:
Our everyday lives are characterised by encounters, some are fleeting and ephemeral and others are more enduring and meaningful exchanges. Shared encounters are the glue of social networks and have a socializing effect in terms of mutual understanding, empathy, respect and thus tolerance towards others. The quality and characteristics of such encounters are affected by the setting, or situation in which they occur. In a world shaped by communication technologies, non-place-based networks often coexist alongside to the traditional local face-to-face social networks. As these multiple and distinct on and off-line communities tend to carry out their activities in more and more distinct and sophisticated spaces, a lack of coherency and fragmentation emerges in the sense of a shared space of community. Open public space with its streets, parks and squares plays an important role in providing space for shared encounters among and between these coexisting networks. Mobile and ubiquitous technologies enable social encounters located in public space, albeit not confined to fixed settings, whilst also offering sharing of experiences from non-place based networks. We will look at how to create or support the conditions for meaningful and persisting shared encounters. In particular we propose to explore how technologies can be appropriated for shared interactions that can occur spontaneously and playfully and in doing so re-inhabit and connect place-based social networks.
http://www.mediacityproject.com/shared-encounters/description.php
Endless Landscape Magnets
November 20, 2006 by Giles Lane
The Endless Landscape, polyorama or myriorama (meaning ‘many views’) was a popular 18th and 19th century storytelling game also known as a tableau polyoptique. It consists a series of paintings of fragments of a panorama that can be arranged in billions of combinations to form a continuous landscape for creating stories – each card extending, adding to or changing the narrative. A neverending journey of imaginary landscapes.
Proboscis’ first Endless Landscape, by Alice Angus, depicts 21 fragments of a panorama based on London and was part of Social Tapestries – a 5 year project about mapping and sharing knowledge, storytelling and public authoring using cutting edge mobile and internet technologies and revisiting traditional paper based methods. The flow of ideas from Social Tapestries has increasingly emphasised the importance of storytelling and narrative as a living, everyday process that underpins how people co-create and inhabit culture and society. Part fact and part fiction, the Endless Landscape alters geography and connects events across the timeline of history. Its panoramas are littered with improbable landscapes, curiosities, ghostly evocations, historical anomalies and architectural conundrums.
Set of 18 Magnets – Price £25.00 – Buy Online
Social Tapestries
November 1, 2006 by Giles Lane
Social Tapestries from Proboscis on Vimeo.
A playful investigation of social impacts of knowledge mapping and sharing through the Social Tapestries experiments. Devised by Alice Angus & Giles Lane. Directed and animated by Alice Angus (November 2006).
ST – St Marks Coop Report
October 15, 2006 by Giles Lane
St Marks Housing Coop Report (October 2006)
Urban Tapestries: Public Authoring, Place & Mobility
October 15, 2006 by Giles Lane
Urban Tapestries: Public Authoring, Place & Mobility (October 2006)
Everyday Archaeology Report
September 15, 2006 by Giles Lane
Social Tapestries Everyday Archaeology Report (September 2006)
Human Echoes – A Dialogue on Cultures of Listening
July 2, 2006 by Giles Lane
In July 2006 Proboscis organised an open dialogue on Cultures of Listening for Interdependence Day at the Royal Geographic Society. The dialogue took the form of a series of conversations between an invited group of artists, social scientists, teachers, researchers, curators and policymakers at a picnic in Kensington Gardens, just across from the RGS.
Our aim was to use the informal setting of a picnic and our role as hosts to bring together a diverse group and stimulate conversations, rather than hold a more formal debate or discussion. This placed the emphasis of the dialogue on being a culture of listening rather being about one. After an hour and a half of introducing people to each other and connecting conversations, the group came together to reflect on what we had heard and said, followed by more conversation and connections over lunch.
Proboscis commissioned artist Camilla Brueton to create an artwork inspired by the event
Camilla’s Brueton’s commission for the Human Echoes event back in July is now complete and the digital element is available as two podcast files. The work is called The Human Echoes Archive and is a box of fictional and factual materials (drawings, maps, postcards, index cards, audio cd) that mimics the form, materials, structure and tools of archiving to reflect and extend the interconnected conversations of the event.
The Archive adopts a numerical ordering system to collect material relating to the people who were present, issues emerging and questions raised at the Dialogue. Like the informal pockets of conversation which took place at this picnic one can navigate freely between the material in the Archive rummaging, cross referencing and re-ordering or by using the the subject index and footnote references.
The podcast files are an edited version of the article contained in the archive with images of other material from it and, a layered audio piece of fragments of the conversations.
Public Authoring, Education and Learning
June 15, 2006 by Giles Lane
Cultural Snaphots No.13 June 2006
Social Tapestries Policy Paper : Public Authoring, Education & Learning by Megan Conway
Common Knowledge
May 15, 2006 by Giles Lane
Cultural Snapshots No.12 May 2006
Common Knowledge: Community development and communication on a housing estate by Kevin Harris
Public Authoring and Feral Robotics
March 30, 2006 by Giles Lane
Cultural Snapshot No.11 March 2006
Social Tapestries: Public Authoring and Feral Robotics by Giles Lane, Natalie Jeremijenko, Camilla Brueton et al
