Public Goods : a survey of the common wealth
February 2, 2011 by Giles Lane · 3 Comments
This year we will begin a major new programme of projects exploring the intangible things we value most about the people, places and communities we live in : Public Goods. Through a series of projects over a 5 year period we’ll be making artworks, films, events, exhibitions and publications in places across the nation (and hopefully abroad too) working in collaboration with both other creative practitioners and local people.
In this first year we’re planning a series of smaller research projects to help us meet and engage with collaborators, identify places and communities, themes and activities. We’ll be using our City As Material format for collaborative urban exploration and zine-making as a method of investigating new places with local people, and also focused projects, like Alice’s As It Comes, in both urban and rural settings exploring other knowledges and experiences that are often overlooked or are being swept away by the fast pace of social change. We also plan to continue our research collaborations into new technologies for public authoring, play and sensing the world around us (such as Urban Tapestries, bookleteer and Sensory Threads).
Our aim is to build up an archive, or archives, of the intangible goods that people most value and want to share – transmitting hope and belief through artistic practice to others in the present and for the future. In the teeth of a radical onslaught against the tangible public assets we are familiar with (libraries, forests, education etc), Public Goods seeks to celebrate and champion a re-valuation of those public assets which don’t readily fit within the budget lines of an accountant’s spreadsheet.
We’d love to hear from communities, practitioners or organisations who’d like us to work with them around this theme – do get in touch.
With Dodolab in Oxford
December 3, 2010 by hazemtagiuri · Comments Off on With Dodolab in Oxford
Yesterday, Giles and myself took a trip to Oxford to meet Andrew and Lisa from Dodolab, who have just arrived in the UK, for an informal City As Material style wander. We thought it might be a great place to hold future Pitch In & Publish sessions, so we explored several of its museums as possible locations for inspiration.
First up, the Oxford University Museum of Natural History, (whose sign actually bears a Dodo) an amazing building hosting the skeletons of various beasts and stuffed creatures, and also containing the entrance the Pitt Rivers Museum. Dedicated to anthropology and world archeology, this extraordinary place is crammed with a huge array of exhibits; ancient handicrafts, shrunken heads, ornate weaponry, lining every inch. Lastly, the Ashmolean, with an extensive collection of western paintings.
Impromptu Pitch In & Publish sessions, perhaps causing some light mischief along the way with our partners in crime Dodolab, would be a great idea. The Pitt Rivers in particular would be perfect, perhaps a storytelling scenario where participants swap real and imagined tales about found objects and create their own eBooks chronicling them. We’re looking forward to returning and having some more fun.
With DodoLab & Broken City Lab in Windsor, ON
November 24, 2010 by Giles Lane · Comments Off on With DodoLab & Broken City Lab in Windsor, ON
From Windsor to Detroit (McKee Park)
I’ve just returned from a research trip to Ontario, Canada with DodoLab where we spent a week planning new projects and doing a site visit to Windsor, Ontario for a batch of projects next Autumn with local artist-led group, Broken City Lab. Windsor is on the south side of the Detroit river from Detroit itself and, whilst being one of the earliest settlements in Canada, owes much of its former prosperity to Detroit’s auto industry. Today it is a town with serious industrial decline, urban blight and heavy pollution from the surrounding heavy industry and the vast numbers of trucks rolling across the Ambassador Bridge from the US into Canada.
Over the next year we aim to participate in DodoLab’s ongoing, intermittent residency in Windsor culminating in a week-long anarchaeological exploration of the city and the history of its futures. Building on the process we are developing through our current series of events here in London, City As Material, we’ll aim to work with local people in and around Windsor to create a series of shareable publications with bookleteer that can begin not just to map out the imagined futures of the past as created by the City and corporations, but also to project new ones based on hopes and aspirations of the grassroots communities who live there now.
City As Material Series
November 3, 2010 by Giles Lane · Comments Off on City As Material Series
We’ve recently started a new series of events called City As Material. Between October and December 2010 we’re running 5 one-day urban exploration and collaborative publishing events which aim to bring diverse groups together around a number of topics to generate some fresh perspectives on urban space and experience. We will be coordinating the creation of a collaboration Diffusion eBook as the outcome of each event, which will be published on diffusion.org.uk and printedin a limited edition using bookleteer’s PPOD service. Each event will also have a special guest who will be invited to share their personal interests in the topic and who will also be commissioned to create their own eBook for the series:
- Streetscapes (15th October) – guest : Tim Wright
- River (29th October) – guest: Ben Eastop
- Skyline (12th November) – guest : Simon Pope
- Underside (26th November) – guest : Alexandra Deschamps-Sonsino
- Sonic Geographies (10th December) – guest : tbc
Book places for the events here : cityasmaterial.eventbrite.com
Download publications from the series here : diffusion.org.uk/?cat=976
Follow our reports on the events here : bookleteer.com/blog/tag/pitch-in-publish/
Graffito: Vintage Festival replay videos
September 8, 2010 by Giles Lane · 1 Comment
Some videos from Graffito in use at the Vintage@Goodwood festival
Seven Days in Seven Dials; a week in the life of London’s Culture Quarters
July 28, 2010 by aliceangus · 2 Comments
For a week in early July Proboscis worked on Seven Days in Seven Dials a project by artistsandmakers.com and the West End Cultural Quarter to create an exhibition in one week with 30 young people on the Culture Quarter Programme of placements.
Proboscis currently has a scheme of placements funded by the Future Jobs Fund and the first two in the scheme, Shalene Barnett and Karine Dorset, joined Seven Days in Seven Dials to create download, print and makeup publications using bookleteer.com to accompany the exhibition. Here are their thoughts on the week:
“My role was to put together and produce a publication of the walking tour that took place… First we mapped out the places we were going to go and the route that we were going to take then we set out on the journey. By the end of the day we had taken pictures, collected facts and had most of the content for the eBook. On the Wednesday I spent my time at the shop in Covent Garden, editing photos and text, rearranging the eBook template I had already done and actually start putting in some content.
Friday we were in the studio. I began to finish the book, did some editing and rearranging just to make sure that the eBook was correct., printed off copies and ran them down to the shop in Convent Garden for display for the opening show on the project. It was a great experience and I had great fun working with a big range of different groups of people, I would love to do it again in the near future.” KD
“Seven Days in Seven Dials for me was a lovely experience. I spent seven days in an area called Seven Dials which is located in Covent Garden. I spent the seven days documenting different groups of people as they gathered various information about seven dials….All in all I highly enjoyed my time at Seven Dials. It was nice to meet young people that are on the same FJF scheme as myself and are trying something new and out of the box. I think the Empty Shops project is very creative and I would gladly do it again. At times it was hard work but the hard work most definitely paid off.” SB
You can see images here
and read more on the artistsandmakers website.
Rijeka with Dodolab
July 25, 2010 by aliceangus · Comments Off on Rijeka with Dodolab
Dodolab with the Rijeka Puppet Theatre
In June Alice Angus joined our partners Dodolab in Rijeka Croatia to join in the lab’s activities and public events and to research a new video installation and series of works on paper about Rijeka City Market, its place in the community and its many traders.
Dodolab have been working in Rijeka in 2009 and 2010 with the city authorities and local groups to explore perceptions of Rijeka, collaboratively examining ideas about the city and its future, thinking about resilience and sustainability. Alice worked with Lea Perinic to speak with market traders traders about the market and some of the issues facing it and observe the flows and uses of the market space through the day and at night. The market is contained in three large art nouveau halls and the streets between them, the fish market building features reliefs by Venetian sculptor Urbano Bottasso. There are buildings dedicated to fish and meat with traders selling all kinds of produce including fruit, vegetables, dairy, bread, nuts, dried fruit, honey, flowers and clothes. The resulting work will be a series of works on paper, some publications and an installation that will be shown in Rijeka City Market, as well as in the UK, to spark new discussions on the value and future of traditional markets.
DodoLab were working with a number of people and organisations in the community including Hartera Music Festival, Rijeka City Puppet Theatre and artist Tomislav Brajnovic on a number of site and locally specific projects including surveys, poster campaigns and performances.
Dodolab is a dynamic and experimental project exploring issues of resilience in places undergoing change and urban regeneration. The lab creates performances, artworks, interventions, events and education projects through an engagement with sites and communities.
Pictures of the market and Dodolabs activities in Rijeka can be seen here.
You can see images of Dodolabs work in Rijeka here.
A series of publications have been created by Dodolab using bookleteer.com Proboscis’ free self publishing system. They are available here.
DodoLab collaboration
June 24, 2010 by aliceangus · 3 Comments
Proboscis is collaborating in a series of labs, artworks and interventions with artist/curator Andrew Hunter of DodoLab. So far, DodoLabs have been run at the World Environmental Education Congress in Montreal (May 09); Confederation Centre, Prince Edward Island (Aug 09) the Guelph Jazz Festival (Sept 09), Rijeka, Croatia (June 2010). More labs and workshops are planned for 2010, including in the UK. DodoLab is supported by the Musagetes Foundation and the School of Architecture, University of Waterloo, Canada.
A continuing element of the collaboration centers on using bookleteer to create artists books, documentation, workbooks, storycubes and other publications about DodoLab and its activities which you can see and download them here. DodoLab was the founding member of the bookleteer alpha club.
DodoLab is a dynamic and experimental project exploring issues of resilience in places undergoing change and urban regeneration. The lab creates performances, artworks, interventions, events and education projects through an engagement with sites and communities. They use communication and social tools (such as posters, tagging, personal media devices, puppet figures and outdoor cafes) that are ubiquitous in the city.
DodoLab Montreal, Canada
The first DodoLab was held in Montréal in May 2009 at the 5th World Environmental Education Congress – a creative intervention in the exhibition hall and out and about in Montréal itself. Proboscis and the DodoLab team created a series of projects engaging the congress delegates in questioning concepts of sustainability. Giles Lane devised and a facilitated a social mapping and StoryCube activity engaging several hundred delegates in exploring their interconnections and ideas on sustainability and resilience.
DodoLab PEI, Charlottetown, Canada
DodoLab PEI is was hosted by the Confederation Centre Art Gallery and explored green space in the city, notably the Experimental Farm which is due to be redeveloped. Proboscis took part in creating and distributed seedbombs at the local Farmer’s Market, designing books, and undertaking research into the Experimental Farm Station for our new work, In Good Heart, (by Alice Angus), which considered the shift from rural to urban and the perception of ‘farm’. In Good Heart was exhibited as part of the show Dig Up My Heart: Artistic Practice in the Field curated by Shauna McCabe at the Confederation Centre Gallery in summer 2010.
DodoLab Riejka, Croatia
Alice Angus joined DodoLab in Reijka in June 2010 to research a new video installation and series of works on paper about Rijeka Market and its many traders. Dodolab are working in Rijeka in 2010 with the city and local groups to explore perceptions of Rijeka, collaboratively examining ideas about the city and its future with a particular emphasis on the role of young people.
Background
Proboscis collaboration with Dodolab grows our work with RENDER, Andrew Hunters previous project. Our past collaborative projects have included At the Water’s Edge, a new work specifically for the atrium of the University of Waterloo School of Architecture in Cambridge exploring the social, cultural and natural histories of the Grand River; Anarchaeology and The Accidental Menagerie.
Follow Proboscis’ collaboration with DodoLab here
Professional Development Commission: Neighbourhood Radio by Holly Clarke
May 11, 2010 by Giles Lane · 1 Comment
Neighbourhood radio is a project aimed at opening lines of communication amongst neighbours and form community connections by breaking down social distance and barriers.
New digital media and online culture is now widely accepted as the norm however it is still restricted by on age and price. Analogue radio use spans generations and affluence, making it the perfect medium to bridge these gaps. In this digital age, radio is fast becoming old media. Considering the changes that have happened to broadcasting over the recent years, such as digital and satellite communications, it’s important to look at the way we use older technologies and re-evaluate their purposes.
The every expanding digital presence has also heralded the way for new communication ideologies. Open source and hacktivist culture was born out of a global information gift economy, made possible through internet connection. This has given power to the people, creating a social need to make, repurpose and share technology.
This project seeks to repurpose current technologies to make them more socially relevant and to do so through an open source, easy to use model.
Radio is also a highly regulated system and to challenge this would deservingly called into question broadcast laws opening the way for new creative thinking and activity within the medium.
I undertook research into how Proboscis might create an online/off line ‘radio’ station as part of professional development commission. The commission was a way of me working with Proboscis in a professional manner to enable me to develop my individual artistic practice and freelance work as a recent graduate.
This project has helped me understand the depth of research required before undertaking artistic interaction design projects as a part of a functioning arts company. It has led me to develop my freelance work and helped me understand project management in the arts world. I have also been able to advance my understanding of technology, leading me to courses in programming to help me further my understanding of this subject area.
I hope to develop the project into a working prototype with the help of the Proboscis team and technology partners as I believe the project would be of great social benefit to community projects.
Holly Clarke
May 2010
Download the Project Report PDF 3.3Mb
Professional Development Commission: Articulating Futures by Niharika Hariharan
February 26, 2010 by Giles Lane · Comments Off on Professional Development Commission: Articulating Futures by Niharika Hariharan
Articulating Futures was a 4 day workshop held at Chinmaya Mission Vidyalaya in New Delhi between the 17th – 20th November, 2009. As a collaboration between narrative designer Niharika Hariharan and Proboscis, the workshop investigated how through innovative thinking young students could be mobilized to voice issues that are important to them.
I had the opportunity of working as an intern and project assistant at Proboscis while I was pursuing my Masters at Central Saint Martins, London in 2008-09. Needless to say, the experience at Proboscis was invaluable, giving me important insights into the various processes of design thinking as well as management.
On completing my course, Proboscis offered me a professional development commission. The commission is granted to emerging young artists and designers to help them kick start a project of their own interest giving them an opportunity to showcase their capabilities to the ‘real world’.
Giles Lane and the Proboscis team worked with me through the entire process of my project Articulating Futures right from ideation up until the execution. Proboscis was an important member of the think tank that helped shape this commissioned project. They not only provided me with the required materials to execute the project but also a platform to share and discuss my work with creative practitioners at a global level.
Articulating Futures has been an extremely satisfying project to me as a designer and a thinker. It has allowed me to explore and share my ideas as an emerging professional in the field of art and design. And finally, it has given me the confidence to further pursue, lead and manage projects and ideas. Needless to say these are all desired and necessary skills for a future creative practitioner working in the industry.
Post the completion of my education in London, this Professional Development Commission by Proboscis was an ideal platform for me to progress towards a career in the field of art and design.
Niharika Hariharan
February 2010
view/download the Hindi/English eNotebooks
download the Project Report PDF 2.1Mb
DodoLab PEI
August 28, 2009 by Giles Lane · Comments Off on DodoLab PEI
Alice Angus and Giles Lane are currently participating in the latest DodoLab in Charlottetown, Prince Edward Island, Canada where we are working alongside Andrew Hunter (Chief DodoLabster), Barb Hobot, Laura Knapp and Lisa Hirmer, as well as a group of students from Mount Allison University led by Dr Shauna McCabe.
DodoLab PEI is being hosted by the Confederation Centre Art Gallery and is exploring a number of issues related to green space in the city, notably the Experimental Farm there.
DodoLab eBooks & StoryCubes on Diffusion
alright!
July 1, 2009 by Giles Lane · Comments Off on alright!
alright! from Proboscis on Vimeo.
A film made by Sutton Youth group about the qualities that make up Sutton-in-the-Isle, a village in the Fens. Using cut up paper and some pretty low tech processes and a lot of laughing, this was made in under two hours one evening.
15 years old
June 25, 2009 by Giles Lane · Comments Off on 15 years old
Sometime in late June 1994 (the exact date now escapes me) the original partnership that founded Proboscis formally came into existence. Initially we were just a name and a bank account (Proboscis was eventually incorporated as a non-profit distributing company in November 1996) set up to publish COIL journal of the moving image, but even from those early days we had the seed of an idea that Proboscis could become a creative vehicle for all kinds of experiments and projects.
About a year ago we mapped most (if not all) of our relationships with partners, collaborators, supporters, funders, investors and sponsors. This image (below) gives a good indication of just how Proboscis developed a transdiscplinary and cross-sector creative practice over 14 years. Since last year we’ve added even more partners and funders: including Queen Mary (University of London); Mixed Reality Lab (University of Nottingham); University of Southampton; Haring Woods Associates; and the Technology Strategy Board among others. And we are looking forward to working with a whole new set of partners and collaborators in the year to come and beyond that for another 15 years or longer.
Cultivating Research by Sarah Thelwall
June 5, 2009 by Giles Lane · 1 Comment
Cultural Snapshots No. 16 June 2009
Cultivating Research : articulating value in arts and academic collaborations by Sarah Thelwall
Sandwell Sense of Place
May 29, 2009 by Giles Lane · Comments Off on Sandwell Sense of Place
Proboscis has recently been invited to join a tender bid to Urban Living and Birmingham City Council for the Sandwell Sense of Place project. The other partners are Rob Annable and Mike Menzies of axis design architects (who are leading the bid); Michael Kohn and Chris of YouCanPlan and Nick Booth of Podnosh. The sense of place project aims to devise a toolkit and archive using a variety of media and techniques for local residents to articulate their sense of place in two areas of Sandwell near Birmingham in the ‘Western Growth Corridor‘. This sense of place and its archive will form a key input into the regeneration masterplanning process.
As part of our interview we created a special Diffusion eBook outlining the team’s approach and illustrating some of our previous work.
DodoLab Montréal
May 18, 2009 by Giles Lane · Comments Off on DodoLab Montréal
DodoLab is a collaboration between Render, Proboscis and the Musagetes Foundation – a dynamic and experimental co-creative lab for engaging participants in events and communities to challenge accepted ideas and develop insights into contexts, processes and situations.
The first DodoLab was held in Montréal in May 2009 at the 5th World Environmental Education Congress – a creative intervention in the exhibition hall and out and about in Montréal itself. Led by Andrew Hunter of Render, the DodoLab team created a series of projects engaging the congress delegates in questioning concepts of sustainability and environmental education with a focus on resilience and adaptability. Giles Lane devised and a facilitated a mapping and StoryCube activity engaging several hundred delegates in annotating a world map with their location and connections to other places, and completing a StoryCube about their ideas on sustainability and resilience.
Jump In workshop
May 1, 2009 by Giles Lane · Comments Off on Jump In workshop
As part of our contribution to the Creator Research Cluster, Giles Lane, Sarah Thelwall (mycake) and Tim Jones (Solar Associates) organised a 1 day workshop at The Rookery in Clerkenwell to explore how small arts organisations could explore working with research departments in universities, and develop the case for becoming Independent Research Organisations. The workshop brought together around 20 participants from a wide group of artists and creative professionals, many of whom are already in collaborations with universities, to share experiences and insights into collaborative practices.
The workshop was partly inspired by Sarah’s Troubadour study for the Creator Cluster (due to be published in June 2009 by Proboscis), the executive summary of which was circulated to all the participants. It drew on the experiences of Proboscis (already an IRO since 2005), Blast Theory and Scan who have all maintained long term partnerships and collaborations with universities stretching back a decade or more. The AHRC was also represented at the workshop and was helpful in identifying the probable routes needed to be taken to achieve IRO status in the current climate.
The participants agreed to set up an informal cluster of interested parties who wanted to take the process further.
Participants: Giles Lane (Proboscis); Sarah Thelwall (mycake); Tim Jones (Solar Associates); Ruth Catlow (Furtherfield); Helen Sloan (Scan); Julianne Pierce (Blast Theory); Rob La Frenais (Arts Catalyst); Tassos Stevens (Coney); Ruth & Bruno (Igloo); Glenn Davidson (Artstation); Rachel Jacob (Active Ingredient); Evelyn Wilson (LCACE); Gini Simpson (Queen Mary); Annamaria Wills (cida); Carien Meier (Drake); Ben Cook (LUX); Tim Harrison (ACE London); Isabel Lilly (Stream); Joanna Pollock (AHRC); Nick? (A Foundation).
Absent Friends: Bronac Ferran (boundaryobject); Julie Taylor (Goldsmiths); Lorraine Warren (Southampton); Ted Fuller (Lincoln)
Funded by the CREATOR Cluster, part of the EPSRC’s Digital Economy programme.
Paralelo, Sao Paulo
April 5, 2009 by Giles Lane · 1 Comment
Paralelo, Sao Paulo, Brasil
Alice, Giles and Orlagh travelled to Sao Paulo in Brasil to take part in the AHRC and British Council sponsored event, Paralelo, hosted by the British Council Brasil, MIS-Museum of Image and Sound and Centro Cultural de Sao Paulo. We helped with the event facilitation, running two social mapping workshops and designing a special Paralelo Diffusion eNotebook, Travelling Through Layers, for participants to capture and share ideas, reflections and information.
http://paralelo.wikidot.com/
Being in Common Catalogue of Ideas
March 27, 2009 by Giles Lane · 6 Comments
As part of our commission, Being in Common, for the Art of Common Space project at Gunpowder Park we created a pack of cards containing our catalogue of ideas. The catalogue is a playful exploration of ‘common space’ drawing together fragments and ideas from across the project, to be played with, read individually or assembled into narratives and stories making unexpected connections and perspectives.
The Catalogue is inspired by the collective nature of playing cards. It includes writing, photographs, imagery and ephemera created and collected during the project, and includes material from the Exploration Packs that Proboscis sent to people around the world to investigate their perspectives on ‘common space’.
The Catalogue of Ideas is one of several works made for Being in Common. Proboscis also created three site specific works in the Park using optics, mirrors and viewmasters, to reveal different perspectives of the site.
Buy Online for £10 including post & packing
A Flash Viewer of the Being in Common Catalogue of Ideas Cards, created by Niharika Hariharan:
Being in Common: Catalogue of Ideas (20Mb)
Being In Common Exploration Packs
December 8, 2008 by Orlagh · 1 Comment
As part of our commission (Being in Common) for the Art of Common Space at Gunpowder Park, 21 Exploration Packs were sent to participants around the world to explore what ‘common space’ means to different people in both urban and rural areas and of different ages. Participants were carefully selected to get a wide variety of responses from various walks in life including a market stall owner, computer programmer, wilderness guide, NASA space worker, parkour artist, mother, social scientist, tourguide and sea-kayaker, and from diverse places such as London, Sweden, Vietnam, Spain, Australia, Canada, India and Greece.
Each pack contains objects and questions exploring what the phrase ‘common space’ means. Participants have been asked to respond in whatever way they wish – write, draw, use stickers, take photographs, use sound recorders or video. The packs include a guide, eNotebook, Matchbox, StoryCube, Photos, Feltboard, Collage Pack, CD, a World Map and International Reply Coupons. Each was designed to offer an understanding of what ‘common space’ means within the participant’s particular context.
Some of the questions include:
- Describing a common space :
– what does it look, feel, taste like?
– What do you like about it?
– What makes it a common space?
– Who else shares the space?
– How do you navigate around it?
– What are the edges / limitations / restrictions you encounter? - What are the features of a common space? Who belongs to / owns the space?
The responses will feed into Proboscis’ artwork to be made for Gunpowder Park early in 2009.
Rita King has blogged about receiving her pack here.
SoMa – Social Matrices
November 14, 2008 by Giles Lane · 1 Comment
SoMa is a think tank for culture which conducts research into creative practices and their effects on culture and society.
SoMa aims to enhance the role of creativity in society by building up bodies of knowledge and experience that reveal the social matrices which make culture the keystone of society.
SoMa’s activities are based on the umbrella theme of Cultures of Listening. Our research projects focus on how social, cultural and political processes and structures influence how we live, and the ways in which we define our relations to space and place.
SoMa is the research programme of parent organisation, Proboscis.
Aims
- explore the roles of creative people and the ‘cultural industries’ in the development of society, culture and public policy by conducting ‘action research’.
- assess the impact of creative activities, and in particular the experimental arts, on society and culture as a whole by drawing on bodies of knowledge & experience from the fields of Art & Design and the Social Sciences.
- identify ways through ‘cultural analysis’ in which creative practices can be critical forces for change and development in society, such as being effective tools in social and economic regeneration.
- develop links with industry to explore new forms of partnership and investment in culture to bring greater benefits to communities, audiences, practitioners and investors.
- evaluate and enhance current thinking on the relationship between culture and the economy to broaden the understanding of the former’s role in the development of society.
- influence public policy around the role of creativity in learning, work and play.
- embed creativity in everyday life by stimulating life long learning.
Objectives
Stimulating Innovation & Creativity
- devise and realise practical projects as models for innovation and collaboration.
- investigate the impact of new technologies (and artists’ use of them) on society.
- explore the importance of experimental creative arts for industry and innovation and champion artists as key links in the development chain of new technologies, services and practices.
- rethink what public art can be and how it impacts on society through new approaches and technologies.
Networks for Collaboration
- research how networks and modes of communication – virtual and physical – foster and build communities (of people and interests), and are transformative of social and cultural relations within local and across global communities.
Access & Undersanding
- organise events (talks, symposia, colloquia etc) and publications (research reports and creative publications) placing SoMa’s findings in the public realm to foster critical debate.
- feed back into teaching programmes and research activities of partner institutions, acting as an interface for further collaborations between practitioners from different disciplines.
- seek out new sites for contemporary art to reach audiences unable to engage with the current structure of galleries and museums – such as public libraries and new media production centres.
UrbanSense08 Workshop
November 6, 2008 by karenmartin · Comments Off on UrbanSense08 Workshop
The third in a series of workshop on the theme of urban sensing, UrbanSense 08 took place in Raleigh, North Carolina in November 2008. The workshop explored ideas, prototypes and realised projects around participatory sensing. Karen Martin made a presentation of ‘Participatory Sensing for Urban Communities’ which described the Robotic Feral Public Authoring and Snout projects which Proboscis had created in collaboration with Birkbeck College, University of London.
Read the paper ‘Participatory Sensing for Urban Communities‘ (PDF 650Kb) by Demetrios Airantzis (Birkbeck College, University of London); Alice Angus (Proboscis), Giles Lane (Proboscis), Karen Martin (Proboscis), George Roussos (Birkbeck College, University of London), Jenson Taylor (Birkbeck College, University of London)
Here is the workshop abstract:
Sensing is going mobile and people-centric. Sensors for activity recognition and GPS for location are now being shipped in millions of top end mobile phones. This complements other sensors already on mobile phones such as high-quality cameras and microphones. At the same time we are seeing sensors installed in urban environments in support of more classic environmental sensing applications, such as, real-time feeds for air-quality, pollutants, weather conditions, and congestion conditions around the city. Collaborative data gathering of sensed data for people by people, facilitated by sensing systems comprised of everyday mobile devices and their interaction with static sensor webs, present a new frontier at the intersection between pervasive computing and sensor networking.
This workshop promotes exchange among sensing system researchers involved in areas, such as, mobile sensing, people-centric and participatory sensing, urban sensing, public health, community development, and cultural expression. It focuses on how mobile phones and other everyday devices can be employed as network- connected, location-aware, human-in-the-loop sensors that enable data collection, geo-tagged documentation, mapping, modeling, and other case-making capabilities.
http://sensorlab.cs.dartmouth.edu/urbansensing/
Navigating History
November 3, 2008 by Giles Lane · Leave a Comment
Navigating History was created by Proboscis and curator Deborah Smith to bring to light unique local history collections through a series of specially commissioned projects by practitioners from the fields of art, design, jewellery, film and interactive technology. The project was sited in the richly diverse collections of East Sussex Record Office in Lewes, Folkestone Library & Museum and West Sussex Local Studies Collection in Worthing Library. In each of the libraries and archive you will find three of the commissions, a programme of talks and events, further information including inspirational archive boxes of background materials and you can join in with the project My History.
A significant portion of the local studies collections in the libraries and archive are only accessible through library/archive catalogues and are made available to the public on request. Navigating History‘s imaginative and exploratory commissions unearth items from these collections relating to several hundred years of history including 18th Century inventories, early film, maritime history and local newspapers. By interweaving past and present whilst exploring themes of identity and place the commissions open up unusual and new routes into the collections. A maze of narratives from the unexpected to the peculiar, the tragic to the wondrous are revealed from stories of ordinary people to those documenting momentous events.
Commissioned Artists:
Neville Gabie, Rachel Murphy, Claudia Schenk, Stephen Connolly, Rob Kesseler, Bob and Roberta Smith, Andrew Hunter, Simon Pope, Mah Rana, Jason Bowman and Sally O’Reilly & Cathy Haynes.
Team: Alice Angus, Deborah Smith & Orlagh Woods
Funded by Heritage Lottery Fund, Arts Council England, Creative Partnerships, Kent County Council, West Susses County Council and East Sussex County Council
Lattice::Sydney
November 3, 2008 by Giles Lane · 1 Comment
In February 2008 Proboscis were resident with ICE (Information and Cultural Exchange) in Western Sydney, Australia. We collaborated with ICE and the British Council Australia to run a workshop and exchange labs over 3 weeks with a group of 15 creative practitioners from local communities. The project grew out of connections we made with ICE during the Coding Cultures project by d/Lux/MediaArts in Australia in 2007.
Through a series of intensive workshops, Proboscis explored approaches to creatively transforming cities and shared techniques with the Western Sydney artists, who in turn had the opportunity to develop projects. Members of the wider arts community participated in half-day Exchange Labs and a public symposium. Lattice addressed the ways culturally diverse communities engage with their environment and considered; what happens when people come to a city? What knowledge is lost, or gained? What are the impacts of emerging new identities on cities?
- The Lattice::Sydney film was made by participants in the workshop and features a playful model city built from any materials that came to hand, to manifest the ideas about ‘Creative City’ generated in the workshop.
- We also made Drawing Conclusions a short film of artists Matt Huynh and Tina Tran of Popperbox drawing conclusions from the Lattice forum.
- Lattice::Sydney project blog
- Lattice::Sydney Sketchbook Diffusion eBook by Tak Tran
- Lattice::Sydney Sketchbook Diffusion eBook by Tina Tran
- Lattice::Sydney Sketchbook Diffusion eBook by Matt Huynh
- Lattice::Sydney Sketchbook Diffusion eBook by David Capra
- Lattice::Sydney Unwrapped Diffusion eBook by Proboscis, ICE and Lattice Participants
- How to Find out What they Want Diffusion eBook by Matt Huynh, Todd Williams, Kasama Yamtree
Team: Alice Angus, Giles Lane & Orlagh Woods
Participants: David Capra, Ali Kadhim, Sanez Fatouhi and Amin Palagni, Ben Hoh, Tiffany Lee-Shoy, Fatima Mawas, Ben Nitiva, Matt Huynh, Tak Tran and Tina Tran of Popperbox, Denis Asif Sado, Trey Thomas, Maria Tran, Todd Williams and Kasama Yamtree.
Partners: ICE (Information & Communication Exchange)
Funded by the British Council as part of the Council’s Creative Cities East Asia initiative
with additional support from Foundation for Young Australians (Youth Digital Cultures Project) and support from the AMWU.
Sutton Grapevine
November 3, 2008 by Giles Lane · 3 Comments
Sutton Grapevine explores issues of place and identity in and around the village of Sutton-in-the-Isle, Cambridgeshire, focusing on the unique context of Sutton, its location in the Fens, the rapid development of the village, it’s rich history and the complex mix of it’s multiple communities past, present and future.
It draws inspiration from storytelling’s historical context: the telling and retelling of folktales as they travel between villages or continents, the sociable storytelling in the pub or around the living room fireside, the broadcasting of stories via radio and books. The project collects and shares stories with the local community through a series of events, online media and sociable listening experiences.
Sutton Grapevine proposes a kind of template for using hybrid online and offline experiences in rural communities where there is a lack of “permanently available shared cultural spaces”. Spanning the technological and tangible we aim to bridge virtual and physical spaces in compelling and innovative ways.
http://suttongrapevine.org
Follow suttongrapevine on Twitter
Team: Alice Angus, Dia Batal, Giles Lane, Karen Martin & Orlagh Woods.
Commissioned by ADeC.
Funded by Arts Council England East.
