City As Material 2 with Professor Starling of DodoLab
February 28, 2012 by Giles Lane · 3 Comments
Once again we have been collaborating with our esteemed colleagues Andrew Hunter and Lisa Hirmer at DodoLab on a discursive exploration of place and knowledge as part of our ongoing investigations and collaborative publishing project, City As Material. This time we have been undertaking a research expedition with Professor William Starling into the decline of the European Starling in Britain, seeking stories and evidence to explain their rapid disappearance in three towns : Thetford (in Norfolk), London and Oxford. Alongside Proboscis and DodoLab, we were accompanied by expedition members Dr Josie Mills, Curator of the Art Gallery at the University of Lethbridge, Canada and artist Leila Armstrong.
Haz has posted reports for each of the journeys and visitations which we undertook in Thetford, London and Oxford over on our bookleteer blog and we are now collaborating to produce a series of eBooks charting the expedition’s activities and findings – blending together questions, observations, musings, photos, drawings, rubbings and other things collected. As before, we’ll print up a limited edition of the books as well as placing downloadable PDFs in the online Diffusion Library for handmade versions and enabling bookreader versions for reading online.
Compendium of Public Goods
February 27, 2012 by aliceangus · 6 Comments
One of the definitions of Public Goods in economics terms describes them as goods that are not diminished by a persons consumption of them. The air is cited as an example, sometimes the beach, street lighting, free broadcast television and so on (though in the ‘real world’ perhaps nothing really fits this description). Are there other interactions we value that might be called public goods? Things that people feel are precious about the places and communities they belong to – stories, skills, games, songs and so on. Maybe they are more intangible than a place, or element or thing, like the way people use local markets as places to meet, converse or share knowledge.
The notion of Public Goods comes up often in our work; common space and ‘the commons’ as a public good for Being in Common; the role of markets and independent traders in Lancaster for As It Comes, and in Hertfordshire for With Our Ears to the Ground and the social impact of technologies for Urban Tapestries, Snout and Social Tapestries. I can’t quite pinpoint what these public goods are and I want to try and make a bit more sense of them for our Public Goods programme so I’m working with Mandy to create a Compendium of Public Goods – a series of short animations inspired by many of the conversations and interviews we have had with people about their lives and communities. We are starting with a look back over conversations I had with the March History Group in Lancaster about jumble sales, hand me downs and knitted swimming suits… remember knitted swimming suits anyone?
COIL journal – last few sets special offer
February 8, 2012 by Giles Lane · Comments Off on COIL journal – last few sets special offer
Over the past few weeks we’ve been re-arranging the studio to create new work spaces (such as the fabbing corner for the Public Goods Lab) and have been sifting through our archive to make space. We’ve been culling the number of archive copies we keep of various publications, especially of our older works which means we can release them for sale. As such, we are now making the last 15 complete sets of COIL journal of the moving image available for sale at the super low price of £25 plus shipping.
COIL journal was a 10 issue part-work commissioning new writing, critique as well as artists projects about experimental film, video and the emerging electronic/digital art field between 1995 and 2000. Over 130 filmmakers, artists, writers, critics and others were commissioned for the series – each one invited to make their own intervention in the journal about moving image culture (rather than respond to editorial themes). The journal deliberately eschewed featuring the then-current ‘YBA’ group of artists, focusing on a mix of younger emerging talent with older mid-career artists – many of whom we’re less visible at the time. COIL is thus a snapshot of a fecund period during which the shift from analogue to digital technologies gathered pace and the changes in creative practices associated with these became more pronounced.
A few months in..
February 7, 2012 by stefankueppers · Comments Off on A few months in..
Wow, how time flies:
Starting my Proboscis experience began only in October and already it seems like a distant past as so many things are happening at the same time here:
The Proboscis team, Giles, Alice, Hazem and Mandy have been really warmly welcoming me into their fold and I have been getting to know all the many friends and collaborators in the various projects we are working on. It is a great experience getting into a totally different scale (much smaller!) and horizontal way of working; a big change from my previous Higher Education job! I have come needing to juggle wearing many hats: design, research, technology development, etc. and I am really relishing it. It is really great when you can mix up the strategic and the practical and a few things in-between.
All this took some time getting used to but what is great is that a lot of excitement in this involvement is already showing: There is the new thinking about the technology stack that we are evolving for our Public Goods Lab work, the authoring and (successfully!) bidding for new commissioned work (e.g. Exlab) with other exciting work in the pipeline. Then we have been rearranging our studio space to accommodate more fabrication space for our various projects. Now there is a corner for electronics prototyping with a kit bench that is slowly expanding for our circuit design and production.
We are slowly growing more capacity not just to fabricate electronics but in fact a wider range of components in house. At the moment we are adding ideas around 3d printing (rapid fabrication) and textiles to embedded electronics. We are also exploring motion capture technologies and the production of data landscapes using sound environments! This is very exciting also as we are re-interpreting ideas and processes previous Proboscis work to expand our exploration and play with notions around physical knowledge artefacts. We are looking to experiment in our various projects where we can take the ideas around them and what they could spark for different uses..
All the above is tied in with ongoing conversations with friends and colleagues I had made in my various previous places of work in an HE context (UCL & The Bartlett Faculty of the Environment & Central Saint Martins, The University of The Arts) where I was for example involved in projects around
- Co-Presence & collaboration technologies with digital artefacts in virtual environment visualisations
- Mapping, understanding factors and strategies producing higher quality urban/city spaces
- Digital archives for architecture student works & new means of portfolio building, sharing and learning
- Collaborative research knowledge spaces and archives
- 3D printing in architecture design
- Parametric modelling and Arduino / Embedded electronics driven installations
- Platforming of shared work spaces and collaboration environments
Being here as part of Proboscis is an exciting way for me to bring a lot of this experience of setting up and operating Learning & Knowledge Spaces in the public realm. Watch out for our new works!
A catch up on Exlab
January 12, 2012 by stefankueppers · Comments Off on A catch up on Exlab
We recently had a chance to meet everybody in the Exploratory Laboratory 2 project on the Jurassic Coast when we all got together at the main briefing event down in Bridport. We caught up with our partners, Julie Penfold of pva MediaLab, Polly Gifford of Bridport Arts Centre, Graham Waffen of Hive Beach Cafe and Caroline of the National Trust, and got to meet our science collaborators, fellow artists and hosting organisations.
The Exlab commissioned artists got together with the Exlab earth scientists, human geographers, production teams and hosts to have a round-robin set of presentations which all got us clued up about themes, the teams and how they were linking with individual commissions. It was exciting to make new connections outside and across our disciplines and see very different points of view and approaches in our various practices.
On the second day of our trip we kicked off our local research for our own Storyweir exploring the relationship between people and the geology.
We got a better grasp the lay of the physical geology and land around the Hive Beach cafe area at Burton Bradstock, explored stretches of the landscape and the beach between Burton Bradstock and Bridport and started with a ‘deep dive’ into the local archives discovering many nuggets of local history and relations to this site that is rich in both the geological history of the mid Jurassic (with rich deposits of fossils in parts of the cliffs) and the social history, myths, folklore, industry (rope and net making), farming and mackerel fishing.
Robotville Festival visit
December 12, 2011 by stefankueppers · Comments Off on Robotville Festival visit
Robotville
I went to a really fun private view for the Robotville Festival at the London Science Museum the other week. It was robots-galore with a fresh sliced view on the current state of play in European robotics research. Why was it useful and fun? It was not a poster and film session – Oh no! IT was a full blown live set of live demonstrations with researchers presenting there current research prototypes in different challenges around human computer interaction in the filed of robotics.
It was particularly interesting as it gave the public a direct opportunity to not just see the robot prototypes in action but also to strike up conversations with the researchers behind the work. It was a surprising, charming and sometimes even disconcerting window on what we will see in the near future around us, in the shop, in public venues, even at home for purposes anywhere from servicing, entertainment to commerce. All in all it was a fascinating snapshot of the current state of play in robotics research in Europe.
Watch a video of the Robotville event at the Lodnon Science Museum
Material Conditions 1
November 29, 2011 by Giles Lane · 2 Comments
On December 15th 2011 we will be launching a new series of Diffusion commissions called Material Conditions. This series asks professional creative practitioners to reflect on what the material conditions for their own practice are, especially now in relation to the climate of change and uncertainty brought about by the recession and public sector cuts.
The contributors are : Active Ingredient (Rachel Jacobs et al); Karla Brunet; Sarah Butler, Desperate Optimists (Jo Lawlor & Christine Molloy); London Fieldworks (Bruce Gilchrist & Jo Joelson); Ruth Maclennan; Jules Rochielle & Janet Owen Driggs; and Jane Prophet.
The first set of 8 contributions will be published as Diffusion eBooks (made with bookleteer) and available as downloadable PDFs for handmade books, online via bookreader versions and in a limited edition (50) of professionally printed and bound copies which will be available for sale (at £20 per set plus P&P).
Material Conditions is part of Proboscis’ Public Goods programme – seeking to create a library of responses to these urgent questions that can inspire others in the process of developing their own everyday practices of creativity; that can guide those seeking meaning for their choices; that can set out positions for action around which people can rally.
Into Deep Time on the Jurassic Coast
November 24, 2011 by aliceangus · Comments Off on Into Deep Time on the Jurassic Coast
After reading about the Jurassic Coast several years ago I’m really excited that we now have the chance to work there on a new commission at Hive Beach and Burton Bradstock, for our project Storyweir. Its been commissioned by PVA medialab and Bridport Arts Centre working with Hive Beach Cafe and the National Trust as part of ExLab 2012.
The commission will be developed over the next few months as we research and collaborate with geographers, earth scientists, the cafe and communities on the coast at Hive Beach and around the village of Burton Bradstock. We’ll be exploring how the human story of the Jurassic coast and the physical geography influence each other. The final works will be staged on the coast during the 2012 Olympic/Paralympic sailing events.
We will be popping up on Hive Beach with a temporary lab to work with local communities recording stories of amateur geology, scientific fact, folklore and tall tales alongside looking at scientific data and mapping of erosion, gathering local sounds and working with geologists and cultural geographers.
Hive Beach runs along the other-wordly Bridport Sands cliffs where it is possible to see Jurassic Strata and where there is a thin upper layer of limestone, the Inferior Oolite which is rich in fossils such as ammonites, belemnites, shells and sponges. Its a place both steeped in ancient geological time and is a rich mix of more recent physical and social history, folklore, scientific knowledge (amateur and professional) and contemporary stories.
Drawing for Agencies of Engagement
November 21, 2011 by mandytang · Comments Off on Drawing for Agencies of Engagement
Recently the Proboscis team have been working with the Centre for Applied Research in Educational Technologies (CARET) and Crucible at the University of Cambridge on a collaborative research project. As the artist for this project, my responsibility ranged from creating visual notations during discussion and brainstorming sessions to illustrating the outcomes of the teams’ reflections in the form of insights and observations. My work was incorporated into a set of books known as Agencies of Engagement.
Each book required a different approach to create a series of illustrations, to accompany the written narrative.
The very first being, visual notation. I used this in the early stages of the project to capture the different ideas discussed during brainstorming sessions. The challenge here was that the discussion was live, it was vital to listen carefully; picking out words to sketch as fast as possible and trying not to fall behind. The idea to this approach was to allow others to see the dialogue visually, the illustrations represented words, topics and how it connected with each other.
Visual notation during a brain storming session.
The next series of illustrations was aimed to capture the moment of an activity, it was placed in the book describing the project’s progress (Project Account). The sketches consisted of members taking part in a workshop, it was illustrated by using the photographs taken during the session as the foundation and creating a detailed line drawing on top to accompany the detailed nature of the Project Account book.
Members taking part in a workshop.
The most challenging of them all was for the book, Drawing Insight, this book consisted of the teams’ insights and observations. The illustrations were quite conceptual, and although accompanied with captions the representations of these illustrations needed to be obvious to the reader. Thus being a very iterative process and required a lot of patience, I would often talk to the team to define the meaning behind captions to develop sketches to reflect it and then after a thorough review sketches would be tweaked, polished and re-polished until we felt that they had captured the right feeling.
Conceptual illustration from Drawing Insight.
The illustrations used in the Method Stack book, took on the same principle as the Project Account but with less detail. The aim to this approach was to simply suggest and spark ideas in relation to the thorough explanation to each engagement method, by keeping it as simple line drawings it becomes easier for the reader to fill in the blanks with their own creativity.
A quick illustration of participants mapping stories.
Finally, Catalysing Agency had a combination of both visual notations from an audio recording from the Catalyst Reflection Meeting and conceptual illustrations like those used in Drawing Insight.
The catalyst role is a person, not a process.
This was my first research project with Proboscis, it was a very intricate one and no doubt the experience I gained from this will be invaluable. Learning about the different methods of engaging with participants of this project and putting them into practice, and deciphering complex findings into a visual to give an insight to others were the main lessons learnt throughout this project, it emphasised the importance of dialogue and communication.
Agencies of Engagement has enabled me to explore and refine my skills in terms of the different approaches to creative thinking. It wasn’t as simple as sketch what you see; there were multiple layers of things to consider – meanings, perception and how the illustrations were to be perceived. Not only was I able to hone my artistic skills in my comfort zone of conceptual illustrations, I was able to explore new techniques such as visual notations in a live situation and both styles of line art for Project Account and Method Stack.
I’ve received my own copy of the finished publication and am overwhelmed with pride, the team did an amazing job and I look forward to participating in more projects like this.
The mischievous characters from Drawing Insight.
Agencies of Engagement
November 17, 2011 by Giles Lane · 2 Comments
Agencies of Engagement is a new 4 volume publication created by Proboscis as part of a research collaboration with the Centre for Applied Research in Educational Technology and the Crucible Network at the University of Cambridge. The project explored the nature of groups and group behaviours within the context of the university’s communities and the design of software platforms for collaboration.
The books are designed to act as a creative thinking and doing tool – documenting and sharing the processes, tools, methods, insights, observations and recommendations from the project. They are offered as a ‘public good’ for others to learn from, adopt and adapt.
Download, print out and make up the set for yourself on Diffusion or read the online versions.
Xmas 2011 Special Offers
November 7, 2011 by Giles Lane · Comments Off on Xmas 2011 Special Offers
This year we have 3 special offers for the festive season :
- Special Offer 1 – only £10 + shipping for a batch of our past publications : Social Tapestries Case of Perpectives + Endless Landscape Magnet Set + COIL 9/10 + Mapping Perception + Pavel Buchler’s Ghost Stories. Offer ends 14th December.
- Special Offer 2 – Reduced Prices on StoryCube packs of 27, 64 & 125 cubes. Offer ends 14th December.
- 10% discount on all bookleteer Short Run Printing (can’t be combined with other offers) :
Last Printing Date for StoryCubes will be 5th December
Last Printing Date for eBooks will be 8th December
Please use the discount code – BKLTRXMAS11
Public Goods Update
September 23, 2011 by Giles Lane · Comments Off on Public Goods Update
Over the summer we’ve been beavering away in the background exploring new partnerships and planning project ideas and proposals for our emerging Public Goods programme. Although its too early to reveal the projects and partners we’re engaging with just now, we are excited that our aspirations for the programme are beginning to cohere around some specific topics and themes. As the projects and partnerships take shape over the next few months we’ll be posting more about them as well as the experiments and activities we’re developing alongside them.
We’ve also welcomed two new members into the Proboscis team : Gary Stewart and Stefan Kueppers, both of whom have collaborated with Proboscis in different capacities before. Gary is an artist and researcher, currently an Artist in Residence/Research Associate at Queen Mary University of London; Stefan is a designer and technologist who has most recently been a Design & Collaboration Technology Specialist for the Bartlett School of Architecture at University College London.
Meanwhile, since the Spring we have been working on a collaborative research project with the Centre for Applied Research in Educational Technologies (CARET) and Crucible at the University of Cambridge which is now in its final stage. The public output of the project will be a set of books made with bookleteer that explore the methods we used; an account of the project’s process, the insights and observations that resulted and the outcome of our reflections. We’re hoping to launch these publications at an event in Cambridge in November this year and will post details nearer the time.
Looking back on Bookleteer
June 23, 2011 by aliceangus · Comments Off on Looking back on Bookleteer
It is now a year since we launched the short run printing service for Bookleteer our online self publish and print platform. So now seemed like a good time to start a series of posts reflecting on the diverse uses people have found for it. Fredrick Leasge has been doing a series of case studies and interviews over on the Bookleteer Blog with people who have used it. Ive been interested to read how some historical and ethnographic projects that have used this method of publishing for documentation and communication.
Julie Anderson, the Assistant Keeper of Egyptian and Sudanese Antiquities at the British Museum used Bookleteer to create 1000 books in Arabic and English about a 10 year archaeological excavation in Dangeil, Sudan to share the findings with the local community in Sudan.
Following the distribution of the book, teenagers began coming to our door in the village to ask questions about the site / archaeology / their own Sudanese history… connecting with their history as made possible through the booklet. It was astonishing. More surprising was the reaction people had upon receiving a copy. In virtually every single case, they engaged with the Book immediately and began to read it or look through it….The Book has served not only as an educational tool, but has empowered the local community and created a sense of pride and proprietary ownership of the ruins and their history.
Bookleteer was used in the Melanesia Project to record, Porer and Pinbin, indigenous people from Papua New Guinea discussing objects in the British Museum’s ethnographic collection. Bookleteer was used first to create simple notebooks that were printed out on an office printer and handmade. Anthrolologist James Leach used them to note the discussion in both English and Tok Pisin, next to glued in polaroid images, to produce a record that involved “capturing the moment of what we were doing and what we were seeing”.
Once filled in the notebooks were scanned and professionally printed to share with the local community in Papua New Guinea. (who have a subsistence lifestyle without electricity).
“[…] As something to give people, they’re an extremely nice thing. People are very keen. I also took some to an anthropology conference before I went [to Papua New Guinea] and would show them to people and they’d immediately say “Oh, is that for me?” People kind of like them. They’re nice little objects.”
Researcher and community education worker Gillian Cowell has used the books as part of a community project with Greenhill Historical Society:
“I think, for community work, it’s really important that you engage in much more unique and creative and interesting ways as a way of trying to spur some kind of interest and excitement in community work […] The books are such a lovely way for that to actually fit with that kind of notion.”
If you are interested in finding out about how you could use Bookleteer, come along to one of our day long Pitch Up & Publish Workshops or Get Bookleteering short sessions this summer.
June 2011 Newsletter
June 13, 2011 by radhikapatel · Comments Off on June 2011 Newsletter
Welcome to our June 2011 newsletter. There’s been lots happening at Proboscis since our last missive.
BOOKLETEER NEW FEATURES: BOOKREADER & USER API
This year we’ve launched two major new features of bookleteer: an online bookreader allowing eBooks to be read and shared via the web and a user API (application programming interface) providing access to making eBooks and StoryCubes to other websites and services. We have two virtual residency’ projects nearing completion that explore creative uses of the API, one by James Bridle (stml) and the other by Simon Pope & Gordon Joly. We’ll announce their projects on the blog soon.
http://bookleteer.com/blog/2011/06/new-feature-bookleteer-online-bookreader/
http://bookleteer.com/blog/2011/01/bookleteer-api/
Pitch Up & Publish
One day workshops to create and publish booklets and StoryCubes using bookleteer: guiding you from concept to publication and beyond. 12 July, 13 Sept, £50 / £40 (Early Bird) max 6 places
http://pitchupandpublish.eventbrite.com
Get Bookleteering!
Join one of our of 2 hour sessions to answer your questions about specific projects as well as introduce new users to bookleteer online self publishing tool. 28 June , 26 July, £20 / £10 (Concs) max 6 places
http://getbookleteering.eventbrite.com
JUNE SPECIAL OFFER:
20% OFF SHORT RUN PRINTING WITH BOOKLETEER
For this month only we’re offering a 20% discount on all Short Run Printing orders made with bookleteer (can’t be used with other offers/discounts). Use the discount code : BKLTR0611-20
Check out our prices on the printing price estimator:
http://bookleteer.com/blog/ppod/
FIFTIES FASHION COMMISSION
Alice has been commissioned to create a new body of work by curators Day + Gluckman for the Collyer Bristow Gallery in Bloomsbury. The work, (on show now until early September) includes drawings and fabric designs inspired by fashions of the Fifties. Alice’s work includes a collaboration with fashions designer, Mrs Jones, on a spectacular dress and apron made from her fabric designs.
http://proboscis.org.uk/projects/fabric-design/
NEW PROGRAMME: PUBLIC GOODS
We are now developing a major new creative programme, R&D Lab and training programme for young people under the conceptual framework of “Public Goods”. Through research and public projects and a new creative placements programme we will be exploring the how to make and share representations of the intangible things that we value most about the places and communities we belong to, such as stories, skills, games, songs, techniques, memories, local lore and experiential knowledge of local environment and ecology. We are actively looking for partners, collaborators, funders and supporters please get in touch to find out more.
http://proboscis.org.uk/projects/public-goods/
http://proboscis.org.uk/projects/public-goods-lab/
http://proboscis.org.uk/projects/creative-placements/
PUBLICATIONS SALE
We’re offering a massive 70% off the normal prices on a batch of our publications. The ‘Austerity Special Offer’ bundles the Social Tapestries Case of Perspectives, Endless Landscape Magnet Set, the Being In Common Catalogue of Ideas deck of cards, COIL 9/10, Mapping Perception and Pavel Buchler’s Ghost Stories all for just £29.99 (UK), £34.99 (Europe) or £39.99 (World).
http://proboscis.org.uk/store.html#offers
CITY AS MATERIAL
We have recently published a limited edition numbered and case bound set of 10 books created for our City As Material project last Autumn. The set includes work by Alexandra Deschamps-Sonsino, Tim Wright, Ben Eastop, Simon Pope and collaborative books created by the participants.
http://proboscis.org.uk/store.html#cityasmaterial1
The books are also published on Diffusion and can be downloaded, printed out and made up from here:
http://diffusion.org.uk/?cat=976
LEONARDO ELECTRONIC ALMANAC EXHIBITION: REDRAWING BOUNDARIES
Proboscis has been selected by curator Jeremy Hight for an exhibition presenting “key innovators in Locative Media, New Media and Mapping in a show that works to display not only fields and works but more of cross pollinations, progressions, the need to move beyond labels just like the importance of reconsidering borders on maps, what space is and what pragmatic tools and previous forms can do.”
http://www.leoalmanac.org/index.php/lea/exhibition/lea_new_media_exhibition/
CRITICAL TEXTS: BRONAC FERRAN, FRED GARNETT & FREDERIK LESAGE
This Spring we published 3 essays on our work and practices by ‘Critical Friends’. Each looks at a different aspect of what we do, why and how, observing our impact from their own varied perspectives:
http://proboscis.org.uk/2665/in-through-a-dark-lens-by-bronac-ferran/
http://proboscis.org.uk/2612/enabling-consequences-by-fred-garnett/
http://proboscis.org.uk/2624/telling-worlds-by-frederik-lesage/
NEW TITLES PUBLISHED ON DIFFUSION.ORG.UK
We’ve published lots of new titles on http://diffusion.org.uk, including new works by Adam Greenfield & Nurri Kim, Tim Wright, Cartoon de Salvo, Dodolab, John Hartley, Cambridge Curiosity & Imagination, Alexandra Deschamps-Sonsino, Ben Eastop, Simon Pope and many others.
Thanks for reading. We hope to see you at some of our events or interact online.
Bookleteer’s new web bookreader
June 11, 2011 by Giles Lane · Comments Off on Bookleteer’s new web bookreader
This year’s seen several major milestones achieved in developing our bookleteer platform. At the beginning of the year we launched a User API (Application Programming Interface) allowing people to create and share eBooks and StoryCubes directly from their own projects, applications and websites.
In February we unveiled a new price estimator to help people calculate the costs of printing and shipping (all over the world) eBooks and StoryCubes through our Short Run Printing Service. We combined this with new pricing structures that make both the eBooks and StoryCubes cheaper and easier to order in small quantities (from 50 copies)
This month we’ve launched what we think is our most exciting new feature : an online bookreader allowing users to read and share their eBooks via standard web browsers. We have also re-vamped the user interface for creating and editing eBooks which should make it simpler and more intuitive. Below is an example of an embedded ‘mini reader’ showing an eBook created by Caroline Maclennan as part of Alice’s As It Comes project in Lancaster:
You can also find plenty more (and growing) over on our Diffusion website.
New Works for Coventry Market
May 12, 2011 by aliceangus · Comments Off on New Works for Coventry Market
Last month I went up to Coventry Market to spend the day talking to traders and shoppers about set of works on paper I made last year as part of an ongoing series about markets, food and the informal spaces that draw communities together. The Coventry Market Traders found the works online, contacted me and bought them to hang permanently in the market hall. It was a honour to have the traders buy the work and bring it back home where it was created. You can get a sense of Coventry Market from this film made by the traders. The drawings will be on permanent display later this year but for now you can see images of the 10 works on flickr here. They grew out of a commission from Dan Thompson of the Empty Shops Network to record some of the places the ESN Tour was going to. I was inspired by the vibrancy of Coventry Market and the care traders take over arranging and decorating their stalls as well as the range of produce; from pet food to ribbon, cards to cucumbers, roasting tins to yams, fishing tackle to carpets, cakes and cranberries, you name it, someone will have it. You can find out more on the market website.
I want to say a big thanks to Bill and Sophie for looking after me so well last month and to Brian and all the Coventry Market traders for making me so welcome.
First Fabric Designs
May 10, 2011 by aliceangus · 2 Comments
The fabric I designed is back from being digitally printed at Forest Digital. I’ve worked with this kind of printing once before and I like the option to print very short lengths and the fact that there is probably less pollution created due to using ink instead of the chemical materials and water of traditional printing. The fabric is off to fashion designer Mrs Jones this week and we will be showing the final garments as part of Day + Gluckman’s show in Collyer Bristow Gallery Fifties Fashion and Emerging Feminism later this month. The fabric is inspired by stories of the 50s told to me by a group of Lancastrian’s I met earlier this year for As it Comes.
Looking back on visions of the future
May 4, 2011 by aliceangus · 1 Comment
I’m currently working with Fee Doran (aka Mrs.Jones) to create some garments from my drawings for a new commission that curators Day+Gluckman (Lucy Day and Elisa Gluckman) offered me for their upcoming show, Fifties, Fashion and Emerging Feminism at Collyer Bristow Gallery, which also includes a new commission by Freddie Robbins and work by WESSIELING.
Yesterday I received a package of stories, from Lancasters Marsh History group about life and clothes in the 50s as part of my research. The stories from the group, along with much of my other research into the legacy of the 50s really underlined how dramatically life seemed to change afterwards. Having not lived through the 50s I look back on it from two conflicting perspectives. In one way I think of it through the furniture and decorations I saw when I was growing up in the 70s and 80s that made me think of the 50s as an austere, constricting time, not one I would have liked, as a women, to live in. I look back to it as a time of austerity and of conservative values embodied in codes of behaviour, dress, traditions, gender, race and class hierarchies, when the glamour of high fashion was based on rigid expectations of a woman’s role in the home in society. I also think of the cold war, fear of communism, fear of the ‘other’. In contrast have seen the hope and imagination in the 1950’s visions of the future and I hear memories of strong communities, care neighbourlyness, the freedom to play and run about the streets many children had, that is almost unimaginable now, and of the huge inventiveness and creativity that flowered in and after that time, and of the lives people new to the UK built in difficult times. I learned when I started working in the arts I learned about the hugely inventive developments in design, art, architecture… (Rae and Charles Eames, Lucienne Day…).
For the commission we were asked to respond to iconic images of John French and the fabric prints of Joyce Clissold that Day+Gluckman are including in the show, as well as the Festival of Britain. This led me through a route that encompassed my interests in technology development, myths of place, everyday life and back to Lancaster where I have recently been working on As It Comes a project about Lancasters Traders, to think about Horrockses the cotton manufacturer who launched an iconic ready to wear collection in the late 40s. This brought me back to the Marsh History group in Lancaster. who are such great storytellers; its something to do with their blend of straight talking but kind Lancashire humour and an uncanny ability to remember the mundane and extraordinary detail of everyday life more then 50 years ago.
I’m creating a series of fabric designs and working with Fee Doran (Mrs.Jones) to create custom garments for the show, alongside a series of drawings that reflect the mythical image of glamorous 50s fashion and new domestic technology against the lived experience of the everyday. I’ll be incorporating traces of embroidery and snippets of conversation into folds, pleats and hems.
You’ll be able to see the finished work from: 26 May – 21 September, 2011
at Collyer Bristow Gallery, 4 Bedford Row, London WC1R 4TF
for:
FIFTIES, FASHION and EMERGING FEMINISM:
Iconic John French prints, from the V&A Archive, alongside highlights from the Museum and Study Collection at Central Saint Martins College of Art and Design, work by WESSIELING, and new commissions by artists Alice Angus with Fee Doran (aka Mrs.Jones) and Freddie Robins responding to the world of fashion.
Hot Science, Global Citizens Symposium
April 27, 2011 by Giles Lane · Comments Off on Hot Science, Global Citizens Symposium
Next week I’m travelling to Sydney to participate, as a ‘provocateur’ in the Hot Science, Global Citizens Symposium, held at the Powerhouse Museum. I’m taking part in a session called Creative Agency and Programming in Museums and Science Centres with Seb Chan, Wayne LaBar, Tara Morelos & Declan Kuch. I’m also hoping to do one or more City As Material/Anarchaeology events whilst I’m there – more on that soon.
My talk is called Oblique Devices :
In Proboscis’ work we rarely address problems like ‘Climate Change’ head-on. As artists we feel empowered to raise questions but cannot claim to have definitive answers or solutions. Our practice is to entice, provoke, humour and challenge, not to preach or claim authority. However, change is a constant feature of history and how humans respond to it reflects our social and cultural adaptability, the dynamism and resilience of our cultures and civilisations. By creating projects that provoke dialogue within and across communities we hope to challenge some of the powerful, and often misleading, nostrums of our age; to pause and reflect before we commit ourselves to unequivocal outcomes. What we offer is critical dissent; what we hope is that people are inspired and empowered to shape their own responses, to weave their own patterns within the changes that surround them.
About the session :
Panelists will address key aspects of creative thinking and creative practices about climate change, discussing their own projects and visions on climate change in response to some of the key themes being addresses by the HSGC ARC Research Linkage Project in order to stimulate debate around climate change. Possible themes may include: climate change and citizen engagement; artist-led projects on creative mitigation and environmental education; creative strategies for audience engagement and civic participation; developing awareness campaigns and critical consciousness on climate change action; the role of interactive and pervasive technologies for collaborative initiatives and local community engagement on climate change, such as sensor technologies, alternate reality games, social media, smart phone apps, GIS mapping, etc. Speakers are invited to present ideas for museums/science centres creative programming design and to offer their views on opportunities of transdisciplinary and collaborative research.
More information about the symposium :
HOT SCIENCE, GLOBAL CITIZENS: the agency of the museum and science centre sector in climate change interventions Symposium,
Sydney, Australia, 5-6 May 2011Climate change is an environmental, cultural and political phenomenon that is reshaping the way we think about ourselves, our societies and humanity’s place on Earth. This symposium presents the research findings of the Australian Research Council international Linkage project, Hot Science, Global Citizens: the agency of the museum sector in climate change interventions along with other leading research to develop new knowledge about what constitutes effective action around climate change, the critical roles that institutions can play and visions for the future of museums and science centres. The second day will feature an ‘unconference’ session to tease out innovative programming ideas and engage participants in discussions.
Speakers include:
Professor Mike Hulme School of Environmental Sciences, University of East Anglia, UK
Elaine Heumann Gurian International Museum Consultant
Dr Emlyn Koster CEO Liberty Science Center, USA
Professor David Karoly Climate scientist and public commentator
Dr Saffron O’Neill Post-Doctoral Fellow, University of Melbourne
Giles Lane Director, Proboscis, London, UK
Dr Dawn Casey Director, Powerhouse Museum, Sydney
Frank Howarth Director, Australian Museum, Sydney
Professor Graham Durant Director, Questacon, Canberra
Tara Morelos d/Lux/MediaArts
Wayne LaBar Vice President, Exhibitions and Programs, Liberty Science Center, USA
Seb Chan Head of Digital, Powerhouse Museum, Sydney
Declan Kuch Australian Youth Climate Change CoalitionProject researchers Academic team: Dr Fiona Cameron (Lead Chief Investigator); Professor Robert Hodge; Associate Professor Brett Neilson and Dr Juan Salazar from the Centre for Cultural Research, with Professor Jann Conroy from the Centre for Plant and Food Science and Professor David Karoly from the University of Melbourne, Dr Ben Dibley, Dr Anne Newstead, Dr Ann Deslandes, Dr Carol Farbotko
Partner organisations and researchers: Museum Victoria, Melbourne; Powerhouse Museum, Sydney; Australian Museum, Sydney; Questacon, Canberra; Liberty Science Center, Jersey City, US with the University of Melbourne, Earth Sciences and the School of Museum Studies, University of Leicester, UK.
Whose Data?
April 19, 2011 by aliceangus · Comments Off on Whose Data?
Last month I went to Bristol, to Knowle West Media Centre as part of Whose Data? an intensive residency week where 8 artists worked with the community to find ways of sharing live data. The artists; Jules Rochielle, Julie Myers, Paul Hurley, Susanne Stahl, Richard Layzell, Steven Paige, Chris Chapman came from backgrounds in performance, design, fine art as well as digital media.
Knowle is a large housing estate just outside the centre of Bristol and though it is classified in some areas as a “deprived urban area” it has a strong community and sense of place. It was built along the lines of the Garden City Movement and has lots of green space and gardens. There is an interesting mix of urban and rural and many people have a close relationship to the land;- they keep horses, sometimes in their gardens, chickens even pigs are not unknown.
The idea was to come up with locally relevant ideas for using live data that could be useful to people who want to know more about energy use, weather, growing food on their allotments and so on. During the week the artists created and presented ideas to KWMC and local residents four of these will be awarded a residency to develop their ideas further. Whose Data? is being led by Dane Watkins, who has been artist in residence at KWMC since 2009 (initially supported by Science City Bristol) working on the Electric Footprint project. The week long event was open submission and KWMC offered a small fee that was enough to make it possible for people to take time out and explore ideas. Its not something that happens often as a way to research a proposal but its a great model becuase whatever the outcome of the final selection it is a rare chance to intensely experience a situation as part of developing new ideas and dialogues. I liked the intensity, the time to get immersed in the place and the ‘open door’ approach KWMC has to the community.
Outside The Box – First Play Test
April 18, 2011 by mandytang · 2 Comments
- Outside The Box play set laid out on the grass at Lambourne End Outdoor Centre
Hi all! We had our first play test for Outside The Box yesterday with the children who were taking part in the play scheme with the YMCA of Central London. We went with them to Lambourne End Centre for Outdoor Learning, where the children will get to take part in various activities including a chance to have a go with the play sets.
Upon arrival I was engulfed by the surrounding greenery, the centre was huge! 54 acres of land; open fields with animals grazing on the grass and various adventure activities built and scattered across the vast fields.
As we walked through the reception area to catch up with the children who were currently having lunch. My attention was immediately swept away from a beautiful blond haired horse which trotted passed; a small carriage trailing behind it with children gleefully cheering as they enjoyed the ride, “I want to go on that” was all I could think of after that.
After lunch the children were split into two groups and thus it was time to set the cubes free onto the grass and just see what happens.
The curious children watched and questioned as Giles placed the play set on the grass, they began picking them up and marvelled at the different drawings and asked who drew them – I felt proud and happy that they really liked them. They’ve ask me how did I draw the images to which I explained very briefly the process.
Then the blank cubes had become like gold, they all became immersed in the idea of making their own cubes and swarmed around trying to overcome the challenge of assembling a cube and immediately attacking the art box soon after. Frantically scooping PVA glue over the grass and dribbling it across each other, they busied away crafting their masterpiece.
Children crafting their masterpiece cube.
There was one girl however, who was more determined to solve the animal set. At first when she couldn’t work it out she claimed the cubes were wrong, so I nudged and gave a clue to which she immediately thought “Ah! so it can also go this way!” she shuffled the cubes and tried again. Eventually she solved the puzzle and huffed “that was hard”.
Then the groups switched over, a trio sprinted across the field and sat down to make a cube. They then began playing with the storytelling set. At first they only picked one word from each face of the cube – which made their stories one sentence long, but after suggesting that they can use all the words from each face, their stories became longer.
One of the girls used the words in order shown, another used the genre cube – but instead of rolling it she preferred to choose the face that she liked and did the same with the word cubes. They competed with each other to tell the best story and started shouting to drown out each other’s story!
(If you would like to listen to some of their funny stories, click on the links below)
http://audioboo.fm/boos/329978-stories-from-storycubes
http://audioboo.fm/boos/329979-more-stories
Finally the groups reunited to go see the farm animals, indicating the end of the first play testing session. Overall it was a great opportunity to be able to play test with children in a outdoor setting, it gave me an idea of what needs changing and how to set up the next play test. It would have been better to be able to get more children to play with them and to also get some of the boys to give it a go for a fair play test, instead of taking one look at it and tossing it aside for football. I thank the Central YMCA for this opportunity and look forward to more visits in hope that children will like Outside The Box. As for the golden horse that kept trotting passed me numerous times and swaying it’s golden mane as if taunting me…one day..one day..*shakes fists*.
City As Material Launch & DodoLab Talk
March 28, 2011 by Giles Lane · 2 Comments
This Thursday 31st March 2011 we’re hosting an evening at our studio in Clerkenwell to launch our first limited edition slipcase set of books published and printed using bookleteer‘s Short Run Printing Service. The set in question contains the 10 books commissioned and produced as part of last Autumn’s City As Material series of urban explorations and collaborative bookmaking.
We will also have a special guest, Andrew Hunter of DodoLab who’ll be introducing their recent project The Thetford Travelling Menagerie, which was staged last week in Thetford, Norfolk.
If you’d like to come please email us info at proboscis.org.uk – we’ll have drinks as well as offering a 20% discount off all publications. Or sign up on the Facebook event page.
Outside The Box eBooks
March 15, 2011 by mandytang · 1 Comment
Take notes, draw maps, make sketches, stick things in, scribble away!
(Drum rolls) Ladies and Gentlemen, I proudly present the finished eBooks!
The eBooks are part of Outside The Box and were created to accompany the play sets, they act as props to help stimulate game play.
I’ve created a total of six eBooks that fit with the role playing set, each eBook corresponds to the six roles available. Once roles have been assigned, players can take their eBooks with them to carry out missions. They can use it to take notes, draw maps, sketch images or even stick things into, they can do whatever they like with these eBooks that will assist their game experience.
But what’s inside you ask? (sniggers). Each book is themed to each role, not just on the cover, but the inside pages too. All pages inside are hand drawn with blank spaces for the player to use, it’s printer friendly and encourages players to freely scribble in them.
The eBooks can also be used for the other play sets too! For example, players can choose an eBook of their choice and use it to play along the story telling game. Or they could use the eBooks to create strange combination animals. (More suggestions available in the Outside The Box Suggestion eBook).
I enjoyed designing and creating the eBooks, it all began with making miniature versions as the initial design. Then making the basic prototype and moving onto finalising details and adding messages to the players. I had a lot of fun making the eBooks, I now hope that players will enjoy the finished product.
The eBooks aren't limited to the Role playing set, they can be used for the other games too!
It Comes and Goes
February 25, 2011 by aliceangus · Comments Off on It Comes and Goes
For everything we sell we provide a back up service which isn’t what many people do nowadays… but at the current time its very hard…Independent shops are going to be a thing of the past and I think everybody, once they are gone, is going to realise how important they are but its going to be to late.
Yesterday Lucy from Mid Pennine Arts and I moved the As It Comes work to St Nicholas Arcade as the project was commissioned to tour to different sites in Lancaster. At the same time we dropped into see some of the traders who had been part of the project and I was reminded of some of the conversations we had about the intangible aspects of knowledge and skills (which is feeding into our new programme Public Goods). Whilst I was drawing and interviewing traders I tried to work out what were the tools of the trade, and what were the unspoken skills of the independent traders. The obvious tools were not necessarily the only or main ones, there were many unspoken less obvious tools – things about how people talk to customers, their body language, how they use their hands, their knowledge of the tools, food and produce they sell and their experience;
Its the knowledge, you go to B&Q and you just pick it off the shelf but if you come here you can ask and we’ll tell you about it… you can come here with a description of what you need and we will disappear into the back shop and reappear with one single screw.
We had a lovely hardware shop but he has gone. They can’t compete with the chains, but you go into those places (chains) and ask for help and they are running away from you, they don’t want you to ask “what size screw?” or “what kind of glue?”..
He’d go, “Just a minute…” and he’d go in the back where he had hundreds of drawers and then he’d come out with it and you’d go, “Thank you so much how much?” and he’d go, “5 pence please”.”
Observational Sketches
February 18, 2011 by mandytang · Comments Off on Observational Sketches
The wall of visual interpretations have expanded! Soon I will invade another side of the wall with my sketches.
In my previous post, I mentioned a major part of my work is creating visual interpretations as research for Public Goods, Proboscis’ new programme of projects exploring the intangible things we value most about the people, places and communities we live in. So far I’ve been creating sketches using images found online combined with my own knowledge. We decided that it would help to gather inspiration from the ‘real’ world in both drawings and photographs, to be surrounded by people and absorb the atmosphere of everyday life.
Usually shying away behind the PC, I agreed to take on the challenge and chose the Science Museum as my first destination. Upon entry there were many objects on display, from steam engines to planes to the evolution of technology. All these objects were traces of what used to be; evidence that reflected on the lifestyle of those that once lived. The objects were categorised in a time-line, indicating the different notable era’s in society such as mass production and the industrial revolution, it demonstrated the changes and evolution stages of specific objects and introduced new theories and materials that were readily available of that time and also the trends that influenced them. As I made my way through the different displays, I was overwhelmed by the thought that all these inventions were the stepping stone to today’s technology. If it wasn’t for these people, our world of convenience wouldn’t have advanced so much.
The next exhibition was the exploration of outer space, whilst looking at the different satellite and shuttle parts on display it hit me that curiosity is a big part of our human nature. Creating theories and exploring methods to prove them and making new discoveries. But it is science that makes it all happen, by making the intangible into tangible with the use of devices and tools; such as light or the ability to fly.
Going upstairs, leaving the historical part of science behind me, I came to the “Who am I?” exhibition. It delved into our biological make up with displays about how our brain is wired and exploration of dreams. The next few displays were about aspects that make us unique individuals such as our exposure to cultures and the environment we grew up in and how such aspects affect us psychologically. I really enjoyed my visit here, and appreciated objects which were the greatest inventions of their time. Although behind glass and never to be used again, just imagining the stories that accompanied it makes each object that more valuable.
During my time at the Science Museum I focused on photographing of objects so for the next outing, I headed to Westfield Shopping Center to create first hand observations of people in a public space.
From being used to sketching still life or just from imagination it was challenging to draw people that wouldn’t stay still! The aim for such an exercise is to capture the moment, through speed sketching; with enough detail to illustrate the subject’s form. As an artist who loves details, I struggled at first to sketch simplified drawings of people but because there was a chance that the person would suddenly move, I was forced to note down their action quickly.
I managed to spend some time just watching how people behaved, the gestures they made when with others and the body language they displayed. But one thing I noticed whilst in the center was; there was no concept of time – with no visible clock anywhere it made the experience feel so timeless and surreal with very little natural lighting. People would often check their mobiles or they too would stop and observe others from the upper levels of the center, whilst waiting for their companion. I’ll be doing more observational sketches later on but at places where people might not move around as often as they would in a shopping center!!
