Being in Common Catalogue of Ideas
March 27, 2009 by Giles Lane
As part of our commission, Being in Common, for the Art of Common Space project at Gunpowder Park we created a pack of cards containing our catalogue of ideas. The catalogue is a playful exploration of ‘common space’ drawing together fragments and ideas from across the project, to be played with, read individually or assembled into narratives and stories making unexpected connections and perspectives.
The Catalogue is inspired by the collective nature of playing cards. It includes writing, photographs, imagery and ephemera created and collected during the project, and includes material from the Exploration Packs that Proboscis sent to people around the world to investigate their perspectives on ‘common space’.
The Catalogue of Ideas is one of several works made for Being in Common. Proboscis also created three site specific works in the Park using optics, mirrors and viewmasters, to reveal different perspectives of the site.
Buy Online for £10 including post & packing
A Flash Viewer of the Being in Common Catalogue of Ideas Cards, created by Niharika Hariharan:
Being in Common: Catalogue of Ideas (20Mb)
A Case of Perspectives
March 2, 2009 by Giles Lane
Proboscis is proud to announce the publication of A Case of Perspectives – a limited edition artists bookwork by Alice Angus and Giles Lane, created as part of Social Tapestries. The bookwork contains a series of designed as well as handmade artefacts inspired by and responding to our experiences in the Social Tapestries programme of projects. 63 Tapestry cards are organised into 3 groups – 21 Endless Landscapes, 21 project photos and 21 Urban Tapestries mobile phone interface screenshots – the reverse sides printed with sections from a map of Urban Tapestries threads and pockets. Also enclosed are 2 StoryCubes, 1 containing images upload by UT trial participants and the other representing 6 principles of public authoring. A copy of the Atlas of Enquiry and a handmade eBook presenting an overview of the Social Tapestries research programme complete the box.
Numbers 1-21 will be sold complete with an unframed original watercolour painting of one of the Endless Landscape panels by Alice Angus. Price – £200 + shipping. Please contact us for more details.
Numbers 22-190 are available to buy online price – £40 + shipping.
Diffusion Residency – Marie-Anne Mancio
January 19, 2009 by Giles Lane
Writer and academic Marie-Anne Mancio is one of our Spring 2009 Diffusion Residents. She will be creating an ‘encyclopedia’ of eBooks about the 1970s performance group, The Theatre of Mistakes.
Follow Marie-Anne’s publications in the Residencies Series.
Peter Timms, Internship Experience 2008
December 10, 2008 by Giles Lane
Proboscis Internship Experience May-June 2008
I stumbled across the Proboscis website while searching for creative organisations that worked across disciplines and this is certainly something that sets Proboscis apart from other organisations. Other distinctive features are the close, small team they have within the work space whilst also putting collaboration with others, artists, researchers, academia and communities at the centre of their practice. These elements were some of the positive aspects of Proboscis and that remained distinctive throughout my Internship.
My internship involved working one or two days a week, lasting a period of a month or so. The experience was primarily engineered through my own desire to work with Proboscis in some capacity, whatever the nature of the work. On reflection this was perhaps a little misguided. In future I feel interns should be clear about the expectations of their work and interests and plan for a longer time with Proboscis than I had available to really feel the fruitions of the work.
I had an interest in Education as I was going to do a PGCE and thought that some time looking at creative technologies would enhance my understanding of education as situated beyond the classroom. In discussion with the team, my brief was to research into how we might develop some of the projects that had been completed in schools, such as Everyday Archaeology and Experiencing Democracy. I primarily looked at how Proboscis’s current work might link in with the ‘Personalisation’ agenda within education and proposed suggestions for developing the work. By the end of my short time with Proboscis I was able to produce a research document and for me personally, more importantly, an insight into the organisation and how creative organisations work. One thing I did not take the opportunity to do, which I urge all interns to do, is make time for conversations with the team and I think this is best achieved through applying to do intern work that is project and collaborative in nature, not individual research.
I did enjoy the freedom to co-construct my own brief with the team, and did feel supported however I do feel that if I had more time and was also involved in a more hands on project, rather than research I would have gained more from the experience. I would encourage prospective interns highlighting that Proboscis provide an alternative internship, a creative and reflective space and learning environment, where you are a genuine part of the team. This measure of flexibility and the engagement with cross-disciplinary practice provides interesting scope for further work in the arts, education and social policy.
Peter Timms
December 2008
Being In Common Exploration Packs
December 8, 2008 by Orlagh
As part of our commission (Being in Common) for the Art of Common Space at Gunpowder Park, 21 Exploration Packs were sent to participants around the world to explore what ‘common space’ means to different people in both urban and rural areas and of different ages. Participants were carefully selected to get a wide variety of responses from various walks in life including a market stall owner, computer programmer, wilderness guide, NASA space worker, parkour artist, mother, social scientist, tourguide and sea-kayaker, and from diverse places such as London, Sweden, Vietnam, Spain, Australia, Canada, India and Greece.
Each pack contains objects and questions exploring what the phrase ‘common space’ means. Participants have been asked to respond in whatever way they wish – write, draw, use stickers, take photographs, use sound recorders or video. The packs include a guide, eNotebook, Matchbox, StoryCube, Photos, Feltboard, Collage Pack, CD, a World Map and International Reply Coupons. Each was designed to offer an understanding of what ‘common space’ means within the participant’s particular context.
Some of the questions include:
- Describing a common space :
– what does it look, feel, taste like?
– What do you like about it?
– What makes it a common space?
– Who else shares the space?
– How do you navigate around it?
– What are the edges / limitations / restrictions you encounter? - What are the features of a common space? Who belongs to / owns the space?
The responses will feed into Proboscis’ artwork to be made for Gunpowder Park early in 2009.
Rita King has blogged about receiving her pack here.
At The Waters Edge: Grand River Sketches
December 3, 2008 by aliceangus
At The Waters Edge: Grand River Sketches
As part of Proboscis ongoing creative research partnership with Waterloo, Canada based RENDER, Alice was commissioned to develop a new work specifically for the atrium of the University of Waterloo School of Architecture in Cambridge. Combining new media and traditional methods, the project reflects the Proboscis strategy of engaging the social, cultural and natural histories of specific sites and territories. Alice brought interest in rivers as life-lines, connectors and definers of place that has grown out of her long term work on Topographies and Tales.
For this project she, and RENDER Director and artist Andrew Hunter, explored the Grand River from its mouth at Port Maitland on Lake Erie to Elora. By bicycle, car, foot and kayak, they wandered through and around the numerous cities, towns, villages, communities, farm fields and industrial sites the river penetrates, defines and skirts, making focussed stops along the way at Chiefswood National Historic Site, Paris, Galt and Kitchener. Alice’s inquiries have also taken her to libraries, museums and archives and into conversations with numerous individuals whose lives have been touched by the river. The resulting work is a personal and poetic reflection on a significant body of water whose role as a critical thread through the region is often forgotten or obscured by more recent grids of development, pathways of transportation and community boundaries. As with her other work At The Waters Edge: Grand River Sketches maps a dialogue between the artist and place emphasizing a process of inquiry.
At the heart of RENDER’s ongoing collaboration with Proboscis is creative research grounded in local history and the built environment. Past collaborative projects have included Anarchaeology and The Accidental Menagerie. At the Water’s Edge will be further developed into a publication and Proboscis will play a central role in RENDER’s upcoming GROUNDWORK community garden project at rare.
Proboscis and RENDER would like to thank Robert McNair (UW School of Architecture), Paula Whitlowe (Chiefswood National Historic Site) and Joyce Majiski and Tuktu Studio in Whitehorse (where Alice spent a week working on At The Water’s Edge) for their support of, and contributions to, this project.
Photographs by Robert McNair 2008
Diffusion Residency – Stewart Home
November 27, 2008 by Giles Lane
Artist and writer Stewart Home will be in residence at Proboscis in December and January 2008 creating a series of eBooks using the Diffusion Generator.
Read more here.
The eBooks
Diffusion Residency – Alex Murdoch
November 27, 2008 by Giles Lane
Alex Murdoch, founder and director of Cartoon de Salvo, one of the UK’s most dynamic improvised theatre company’s, is in residency at Proboscis in Autumn 2008. Alex is creating a series of eBooks inspired by the stories Cartoon de Salvo created during their UK tour of Hard Hearted Hannah in Spring 2008. The show was a ground-breaking long-form inprovisation where, each night, the audience provided the cast with the title of the night’s show which was then improvised. Over 50 shows and stories were created, which are being collated and illustrated by Alex as part of her Diffusion Residency.
Follow Alex’s publications in the Residencies Series.
Digital Cities: London’s Future
November 17, 2008 by Giles Lane
Proboscis is exhibiting works from Snout, Feral Robots and Social Tapestries and our film, Play to Invent in a group show curated by architect and masterplanner, Sir Terry Farrell,
“Digital Cities looks at how digital technology helps us understand and improve the planning and experience of our city. It will look at the impact on movement in cities: how communication and information technologies enhance a persons experience of place; how people interpret cities with the use of technology; and how mapping influences the design and planning of cities. It will also discuss some of ‘the big brother’ issues such as privacy and security. “
Digital Cities: London’s Future is on from November 21st 2008 to January 24th 2009 at The Building Centre, Store Street, London WC1E 7BT.
Download the Exhibition Leaflet (PDF 6.9Mb)
UrbanSense08 Workshop
November 6, 2008 by karenmartin
The third in a series of workshop on the theme of urban sensing, UrbanSense 08 took place in Raleigh, North Carolina in November 2008. The workshop explored ideas, prototypes and realised projects around participatory sensing. Karen Martin made a presentation of ‘Participatory Sensing for Urban Communities’ which described the Robotic Feral Public Authoring and Snout projects which Proboscis had created in collaboration with Birkbeck College, University of London.
Read the paper ‘Participatory Sensing for Urban Communities‘ (PDF 650Kb) by Demetrios Airantzis (Birkbeck College, University of London); Alice Angus (Proboscis), Giles Lane (Proboscis), Karen Martin (Proboscis), George Roussos (Birkbeck College, University of London), Jenson Taylor (Birkbeck College, University of London)
Here is the workshop abstract:
Sensing is going mobile and people-centric. Sensors for activity recognition and GPS for location are now being shipped in millions of top end mobile phones. This complements other sensors already on mobile phones such as high-quality cameras and microphones. At the same time we are seeing sensors installed in urban environments in support of more classic environmental sensing applications, such as, real-time feeds for air-quality, pollutants, weather conditions, and congestion conditions around the city. Collaborative data gathering of sensed data for people by people, facilitated by sensing systems comprised of everyday mobile devices and their interaction with static sensor webs, present a new frontier at the intersection between pervasive computing and sensor networking.
This workshop promotes exchange among sensing system researchers involved in areas, such as, mobile sensing, people-centric and participatory sensing, urban sensing, public health, community development, and cultural expression. It focuses on how mobile phones and other everyday devices can be employed as network- connected, location-aware, human-in-the-loop sensors that enable data collection, geo-tagged documentation, mapping, modeling, and other case-making capabilities.
http://sensorlab.cs.dartmouth.edu/urbansensing/
Constructing Conversations
October 20, 2008 by Giles Lane
Constructing Conversations from Proboscis on Vimeo.
A film for the Perception Peterborough project, documenting the creation of a 3 dimensional ‘map’ of creative visions overlaid over the city. The film was shot during workshops facilitated by Proboscis in Peterborough Museum in September 2008.
Perception Peterborough – Workshops
September 25, 2008 by Giles Lane
As part of Perception Peterborough three creative transdisciplinary workshops were led by Proboscis (alongside consultants Haring Woods Associates) at Peterborough Museum over three days in September 2008. The workshops were the culmination of Perception Peterborough and were designed to reflect on Peterboroughs’s vision for the future around the three themes;
- Green Infrastructure and Environmental Technologies
- Social Cohesion within a Climate of Migration
- Growth: Development of the Built Environment.
Over three days each workshop explored the notion of ‘Environmental Capital’ and both discussed and built ideas for the features of an environmental capital. Creativity underpinned our process for the workshops where a playful but intensive period of activity involved social mapping, StoryCubes and 3D mapbuilding.
The workshops involved:
Social Mapping to explore participants’ connections to each other and Peterborough using brown paper and crayons. StoryCubes to explore relationships of ideas to each other and focus the conversation, with
a physical landscape of cubes building up over the days. StoryCubes are a tactile thinking tool for exploring relationships and narratives, each face of the cube is illustrated or annotated to graphically convey an idea, a thing or an action. A 3D Map of a Future Peterborough to make manifest participants ideas for the features of an environmental capital and go beyond the big ideas such as ‘a carbon zero economy’ to look at how that might be achieved on the ground. Participants added both new ideas, suggestions and existing or planned buildings, structures or initiatives.
View a film of the collaborative map created over the first three days.
Dislocate08 workshop & symposium
September 23, 2008 by Giles Lane
Proboscis devised a creative workshop on September 18th at ZAIM, Yokohama as part of the Dislocate08 festival. The workshop is the initial stage of our research for Sensory Threads, engaging artists, urbanists, designers, technologists, musicians and dancers in an active investigation into the sensorial patterns and rhythms to be found in our environment. The area around ZAIM in Yokohama became our research field as we sought out and evidenced the recurring, overlapping and intersecting sounds and movements that take place as we act in, and react to, our environment.
Sensory Threads is a work-in-progress to develop an instrument enabling a group of people to create a soundscape reflecting their collaborative experiences in the environment. For this interactive sensory experience, we are designing sensors for detecting environmental phenomena at the periphery of human perception as well as the movement and proximity of the wearers themselves. Possible targets for the sensors may be electro-magnetic radiation, hi/lo sound frequencies, heart rate etc). The sensors’ datastreams will feed into generative audio software, creating a multi-layered and multi-dimensional soundscape feeding back the players’ journey through their environment. Variations in the soundscape reflect changes in the wearers interactions with each other and the environment around them. We aim to premiere the work in 2009.
We also took part in the Dislocate symposium on September 20-21st, presenting our film Play to Invent and giving an overview of our work in public authoring, sensing, mapping and mobile technologies.
Perception Peterborough – Impressions
September 15, 2008 by Giles Lane
As part of our research for the project, we conducted an anarchaeology of the city and its people and created a series of Impressions to inspire different perspectives on the key themes for workshop participants and project stakeholders.
The Impressions, initially created as a means of conveying a local sense of place to national and international participants, were inspired by the series of ‘Wanderings’ that Proboscis undertook with local people in Peterborough as a means of conveying a local sense of place.
We were inspired by the people of Peterborough and the seeds of the future they showed us that Peterborough already has; the diversity, talent, river, and green spaces, fens and waterways, the history and folklore and the great generous friendliness of people who never turned us away. Our Impressions therefore were about the seeds of Peterborough; visible and invisible, from past and future, for hopes
and concerns. They are about what could be seeded, nurtured and grown and what seeds exist here already to help everyone do that.
The wanderings involved conversations and encounters with over 20 local people of different ages and backgrounds. Proboscis journeyed through townships, villages and city by taxi, train, bus, bike, kayak and on foot to investigate and explore the city and its surrounding landscapes. We gained a richer understanding, through local and grassroots perspectives, of people’s perspectives of what it is like to live in Peterborough and their aspirations for the future. The resulting series of Impressions include short films, audio collage, eBooks, StoryCubes and drawings that can be shared physically and digitally and combined with existing policy material to add new perspective to the visioning process.
- Lines of Mobility Diffusion eBook
- Blocks of Change Diffusion eBook
- Bus Adventures Diffusion eBook
- Underused Assets StoryCubes
- Monsters and Mermaids (8 panel french fold booklet PDF)
- Flows Film
- Perspectives Film
- Voices audio piece
- Briefing Pack Book (PDF)
- Briefing Pack StoryCubes (illustrated by Matt Huynh).
Perception Peterborough Briefing Book
September 1, 2008 by Giles Lane
Produced by Haring Woods Associates
Editor: Celia Makin-Bell
Concept and design: Proboscis
Illustration: Matt Huynh
Graphic Design: Carmen Vela Maldonado
Monsters and Mermaids
September 1, 2008 by Giles Lane
Perspectives
September 1, 2008 by Giles Lane
Perspectives from Proboscis on Vimeo.
Perspectives of Peterborough (UK) from bike, kayak and bus. One of a series of 8 “Impressions” of the city of Peterborough in England. Part of the Perception Peterborough project which involves artists and consultants in working with local, national and international people to develop a compelling and exciting vision for the future of the city.
Perception Peterborough – Voices
September 1, 2008 by Giles Lane
Voices records hopes, aspirations and feelings about the city of local people we encountered during our anarchaeological research for Perception Peterborough. One of a series of 8 “Impressions” of the city of Peterborough in England. Part of the Perception Peterborough project which involves artists and consultants in working with local, national and international people to develop a compelling and exciting vision for the future of the city.
Flows
September 1, 2008 by Giles Lane
Flows from Proboscis on Vimeo.
Flows in the heart of the city of Peterborough (UK) with music on the hang drum by Jimmy D. One of a series of 8 “Impressions” of the city of Peterborough in England. Part of the Perception Peterborough project which involves artists and consultants in working with local, national and international people to develop a compelling and exciting vision for the future of the city.
Diffusion Residency – Matt Huynh
August 25, 2008 by Giles Lane
Comic artist and illustrator Matt Huynh from Sydney Australia was resident at Proboscis studio in August 2008, playing with the Diffusion formats and creating several eBooks. Matt won the inaugural Design NSW Travelling Scholarship in 2008.
Read more about Matt’s Residency here.
Hydrous, V2 Rotterdam
August 22, 2008 by aliceangus
Alice Angus presented at Hydrous’08 STS and the ARTS Read Changes in Water Governance” at V2 Institute for Unstable Media in Rotterdam and organised by Katie Vann at the Virtual Knowledge Studio of the Royal Netherlands Academy of Arts and Sciences.
Hydrous brought together scientists, anthropolgists, filmakers and artists to look at issues and initiatives in water management and governance around the world looking across a range of issues and areas of conflict and crisis from how small desert communities manage their water source to the governance of large watersheds. Alice brought the first of her new series of eBooks At The Waters Edge to Hydrous and
discussed how her practice and the work of Proboscis finds itself emerging into dialogues around water.
CREATOR Troubadour Study
August 6, 2008 by Giles Lane
Proboscis is collaborating with Sarah Thelwall to conduct a ‘troubadour’ study to investigate artistic & creative research models and the ways in which these interface between creative SMEs and organisations such as HE institutions and the Research Councils.
In the work which culminated in Capitalising Creativity, Sarah developed a model for defining those activities which are at the core of an artist or creative organisations activities versus those which exploit the intellectual capital created and leverage it into income streams and commercial collaborations. Whilst this model of ‘first ‘and ‘second order’ activities was a good fit for some SMEs, Proboscis concluded that the research focused approach which it pursues is not well suited to the development of second order activities in this manner. Instead Proboscis, and organisations with a similar outlook such as Blast Theory, have pursued an approach that increases connections and activities with research focused institutions.
It is these connections and methods that we would research in the Troubadour Study:
- what are the interactions between SMEs and research institutions?
- how does each side of a collaboration evaluate the partmnership and define ‘value’?
- how is this value communicated to funders and stakeholders?
- what are the limiting factors of such collaborations and why are there so few examples?
- what lessons can be learnt from the experiences of Cluster members Proboscis and Blast Theory and how might this contribute to influencing funding policies and frameworks?
Team : Sarah Thelwall and Giles Lane
Funded through the CREATOR Research Cluster, part of the EPSRC’s Digital Economy programme.
Diffusion Residency – Lisa Hunter
August 5, 2008 by Giles Lane
Curator Lisa Hunter of Dundas Museum and Archive spent a week at Proboscis studio in July 2008 exploring uses of the Diffusion eBooks and StoryCubes in a museum context.
Read Lisa’s comments on her residency here.
CREATOR Pilot – Sensory Threads
August 5, 2008 by Giles Lane
Proboscis is leading a pilot project, Sensory Threads, funded by the CREATOR Research Cluster. The project builds upon our previous collaborations with Birkbeck College’s Pervasive Computing Lab on the Feral Robots and Snout environmental sensing projects and takes wearable sensing into new areas with new collaborations with the Centre for Digital Music at Queen Mary, University of London, the Mixed Reality Lab at University of Nottingham and Southampton University’s School of Management.
Sensory Threads is a work-in-progress to develop an instrument enabling a group of people to create a soundscape reflecting their collaborative experiences in the environment. For this interactive sensory experience, we are designing sensors for detecting environmental phenomena at the periphery of human perception as well as the movement and proximity of the wearers themselves. Possible targets for the sensors may be electro-magnetic radiation, hi/lo sound frequencies, heart rate etc). The sensors’ datastreams will feed into generative audio software, creating a multi-layered and multi-dimensional soundscape feeding back the players’ journey through their environment. Variations in the soundscape reflect changes in the wearers interactions with each other and the environment around them. We aim to premiere the work in 2009.
Team: Alice Angus, Giles Lane, Karen Martin and Orlagh Woods (Proboscis); Demetrios Airantzis, Dr George Roussos and Jenson Taylor (Birkbeck); Joe Marshall (MRL); Dr Nick Bryan-Kinns and Robin Fencott (Queen Mary) and Dr Lorraine Warren (Southampton).
Funded through the CREATOR Research Cluster, part of the EPSRC’s Digital Economy programme.
bTWEEN08 StoryCubes
August 1, 2008 by Giles Lane
A short video of StoryCubes in use at bTWEEN08, Musem of Science and Industry, Manchester. 1 min, July 2008
Our StoryCubes installation was voted Best Interactive Exhibit by the delegates and public at bTWEEN08.
